By this time, the party having gained the broad flat mead through which
the Calder flowed, took their way quickly towards its banks, the spot
selected for the ordeal lying about fifty yards above the weir, where
the current, ordinarily rapid, was checked by the dam, offering a smooth
surface, with considerable depth of water. If soft natural beauties
could have subdued the hearts of those engaged in this cruel and wicked
experiment, never was scene better calculated for the purpose than that
under contemplation. Through a lovely green valley meandered the Calder,
now winding round some verdant knoll, now washing the base of lofty
heights feathered with timber to their very summits, now lost amid thick
woods, and only discernible at intervals by a glimmer amongst the trees.
Immediately in front of the assemblage rose Whalley Nab, its steep sides
and brow partially covered with timber, with green patches in the
uplands where sheep and cattle fed. Just below the spot where the crowd
were collected, the stream, here of some width, passed over the weir,
and swept in a foaming cascade over the huge stones supporting the dam,
giving the rushing current the semblance and almost the beauty of a
natural waterfall. Below this the stream ran brawling on in a wider, but
shallower channel, making pleasant music as it went, and leaving many
dry beds of sand and gravel in the midst; while a hundred yards lower
down, it was crossed by the arches of the bridge. Further still, a row
of tall cypresses lined the bank of the river, and screened that part of
the Abbey, converted into a residence by the Asshetons; and after this
came the ruins of the refectory, the cloisters, the dormitory, the
conventual church, and other parts of the venerable structure,
overshadowed by noble lime-trees and elms. Lovelier or more peaceful
scene could not be imagined. The green meads, the bright clear stream,
with its white foaming weir, the woody heights reflected in the glassy
waters, the picturesque old bridge, and the dark grey ruins beyond it,
all might have engaged the attention and melted the heart. Then the
hour, when evening was coming on, and when each beautiful object,
deriving new beauty from the medium through which it was viewed,
exercised a softening influence, and awakened kindly emotions. To most
the scene was familiar, and therefore could have no charm of novelty. To
Potts, however, it was altogether new; but he was susceptible of few
gentle impressions, and neither the tender beauty of the evening, nor
the wooing loveliness of the spot, awakened any responsive emotion in
his breast. He was dead to every thing except the ruthless experiment
about to be made.
Public-domain text, read in full here on John Shaqi.
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