Lady Assheton looked surprised, but made no remark, and mounting the steps, led the way to a spacious though not very lofty chamber, with huge uncovered rafters, and a floor of polished oak. Over a great fireplace at one side, furnished with immense andirons, hung a noble pair of antlers, and similar trophies of the chase were affixed to other parts of the walls. Here and there were likewise hung rusty skull-caps, breastplates, two-handed and single-handed swords, maces, halberts, and arquebusses, with chain-shirts, buff-jerkins, matchlocks, and other warlike implements, amongst which were several shields painted with the arms of the Asshetons and their alliances. High-backed chairs of gilt leather were ranged against the walls, and ebony cabinets inlaid with ivory were set between them at intervals, supporting rare specimens of glass and earthenware. Opposite the fireplace, stood a large clock, curiously painted and decorated with emblematical devices, with the signs of the zodiac, and provided with movable figures to strike the hours on a bell; while from the centre of the roof hung a great chandelier of stag's horn. Lady Assheton did not tarry long within the entrance hall, for such it was, but conducted her guests through an arched doorway on the right into the long gallery. One hundred and fifty feet in length, and proportionately wide and lofty, this vast chamber had undergone little change since its original construction by the old owners of the Abbey. Panelled and floored with lustrous oak, and hung in some parts with antique tapestry, representing scriptural subjects, one side was pierced with lofty pointed windows, looking out upon the garden, while the southern extremity boasted a magnificent window, with heavy stone mullions, though of more recent workmanship than the framework, commanding Whalley Nab and the river. The furniture of the apartment was grand but gloomy, and consisted of antique chairs and tables belonging to the Abbey. Some curious ecclesiastical sculptures, wood carvings, and saintly images, were placed at intervals near the walls, and on the upper panels were hung a row of family portraits.