The long oaken table, usually standing in the middle of the hall, had
been removed to one side, to allow free scope for dancing and other
pastimes, but it was still devoted to hospitable uses, being covered
with trenchers and drinking-cups, and spread for a substantial repast.
Near it stood two carvers, with aprons round their waists, brandishing
long knives, while other yeomen of the kitchen and cellar were at hand
to keep the trenchers well supplied, and the cups filled with strong
ale, or bragget, as might suit the taste of the guests. Nor were these
the only festive preparations. The upper part of the hall was reserved
for Sir Ralph's immediate friends, and here, on a slightly raised
elevation, stood a cross table, spread for a goodly supper, the snowy
napery being ornamented with wreaths and ropes of flowers, and shining
with costly vessels. At the lower end of the room, beneath the gallery,
which it served to support, was a Gothic screen, embellishing an open
armoury, which made a grand display of silver plates and flagons.
Through one of the doorways contrived in this screen, the May-day
revellers were ushered into the hall by old Adam Whitworth, the
white-headed steward.
"I pray you be seated, good masters, and you, too, comely dames," said
Adam, leading them to the table, and assigning each a place with his
wand. "Fall to, and spare not, for it is my honoured master's desire you
should sup well. You will find that venison pasty worth a trial, and the
baked red deer in the centre of the table is a noble dish. The fellow to
it was served at Sir Ralph's own table at dinner, and was pronounced
excellent. I pray you try it, masters.--Here, Ned Scargill, mind your
office, good fellow, and break me that deer. And you, Paul Pimlot,
exercise your craft on the venison pasty."
And as trencher after trencher was rapidly filled by the two carvers,
who demeaned themselves in their task like men acquainted with the
powers of rustic appetite, the old steward addressed himself to the
dames.
Public-domain text, read in full here on John Shaqi.
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