At this moment Sir Ralph, who had quitted the supper-table, clapped his
hands loudly, thus giving the signal to the minstrels, who, having
repaired to the gallery, now struck up a merry tune, and instantly the
whole hall was in motion. Snatching up his wand Sampson Harrop hurried
after Alizon, beseeching her to return with him, and join a procession
about to be formed by the revellers, and of course, as May Queen, and
the most important personage in it, she could not refuse. Very short
space sufficed the morris-dancers to find their partners; Robin Hood and
the foresters got into their places; the hobby-horse curveted and
capered; Friar Tuck resumed his drolleries; and even Jack Roby was so
far recovered as to be able to get on his legs, though he could not walk
very steadily. Marshalled by the gentleman-usher, and headed by Robin
Hood and the May Queen, the procession marched round the hall, the
minstrels playing merrily the while, and then drew up before the upper
table, where a brief oration was pronounced by Sir Ralph. A shout that
made the rafters ring again followed the address, after which a couranto
was called for by the host, who, taking Mistress Nicholas Assheton by
the hand, led her into the body of the hall, whither he was speedily
followed by the other guests, who had found partners in like manner.
Before relating how the ball was opened a word must be bestowed upon
Mistress Nicholas Assheton, whom I have neglected nearly as much as she
was neglected by her unworthy spouse, and I therefore hasten to repair
the injustice by declaring that she was a very amiable and very charming
woman, and danced delightfully. And recollect, ladies, these were
dancing days--I mean days when knowledge of figures as well as skill was
required, more than twenty forgotten dances being in vogue, the very
names of which may surprise you as I recapitulate them. There was the
Passamezzo, a great favourite with Queen Elizabeth, who used to foot it
merrily, when, as you are told by Gray--
"The great Lord-keeper led the brawls,
And seals and maces danced before him!"
the grave Pavane, likewise a favourite with the Virgin Queen, and which
I should like to see supersede the eternal polka at Almack's and
elsewhere, and in which--
"Five was the number of the music's feet
Which still the dance did with live paces meet;"
the Couranto, with its "current traverses," "sliding passages," and
solemn tune, wherein, according to Sir John Davies--
--"that dancer greatest praise hath won
Who with best order can all order shun;"
the Lavolta, also delineated by the same knowing hand--
"Where arm in arm two dancers are entwined,
And whirl themselves with strict embracements bound,
their feet an anapest do sound."
Public-domain text, read in full here on John Shaqi.
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