The Land Beyond the Forest: Facts, Figures, and Fancies from TransylvaniaGerard, E. (Emily)
History
The Land Beyond the Forest: Facts, Figures, and Fancies from Transylvania
Gerard, E. (Emily)
Transylvania (Romania) -- Description and travel
A falling star always denotes that a soul is leaving the earth—for,
according to Lithuanian mythology, to each star is attached the thread
of some man’s life, which, breaking at his death, causes the star to
fall. In some places it is considered unsafe to point at a falling star.
A dying man may be restored to life if he be laid on Holy Saturday
outside the church-door, where the priest passing with the procession
may step over him; or else let him eat of a root which has been
dug up from the church-yard on Good Friday; but if these and other
remedies prove inefficient, then must the doomed man be given a burning
candle into his hand, for it is considered to be the greatest of all
misfortunes if a man die without a light—a favor the Roumanian durst
not refuse to his deadliest enemy.
The corpse must be washed immediately after death, and the dirt, if
necessary, scraped off with knives, because the dead man will be
more likely to find favor above if he appear in a clean state before
the Creator. Then he is attired in his best clothes, in doing which
great care must be taken not to tie anything in a knot, for that would
disturb his rest by keeping him bound down to the earth. Nor must he be
suffered to carry away any particle of iron about his person, such as
buttons, boot-nails, etc., for that would assuredly prevent him from
reaching Paradise, the road to which is long, and, moreover, divided
off by several tolls or ferries. To enable the soul to pass through
these a piece of money must be laid in the hand, under the pillow, or
beneath the tongue of the corpse. In the neighborhood of Forgaras,
where the ferries or toll-bars are supposed to amount to twenty-five,
the hair of the defunct is divided into as many plaits, and a piece of
money secured in each. Likewise a small provision of needles, thread,
pins, etc., is put into the coffin, to enable the pilgrim to repair any
damages his clothes may receive on the way.
The family must also be careful not to leave a knife lying with the
sharpened edge uppermost as long as the corpse remains in the house, or
else the soul will be forced to ride on the blade.
The mourning songs, called _Bocete_, usually performed by paid
mourners, are directly addressed to the corpse, and sung into his ear
on either side. This is the last attempt made by the survivors to
wake the dead man to life by reminding him of all he is leaving, and
urging him to make a final effort to arouse his dormant faculties—the
thought which underlies these proceedings being that the dead man hears
and sees all that goes on around him, and that it only requires the
determined effort of a strong will in order to restore elasticity to
the stiffened limbs, and cause the torpid blood to flow anew in the
veins.
Here is a fragment of one of these mourning songs, which are often very
pathetic and fanciful:
Public-domain text, read in full here on John Shaqi.
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