The Land Beyond the Forest: Facts, Figures, and Fancies from TransylvaniaGerard, E. (Emily)
History
The Land Beyond the Forest: Facts, Figures, and Fancies from Transylvania
Gerard, E. (Emily)
Transylvania (Romania) -- Description and travel
Grimm is of opinion that this drama is also allegorical of the triumph
of spring over winter, which opinion he chiefly supports by the
incident of the King’s resurrection, and of the allusion to the garden.
This view has, however, been strongly combated by other authorities,
who remind us that in many old pictures Death is often represented as a
gardener, and armed with bow and arrows.
* * * * *
“Herodes” is the name of a Christmas drama acted by the Transylvanian
Saxons; but as, though undoubtedly ancient, it is totally wanting in
humor and originality, I do not here reproduce it. Most probably such
qualities as this drama may once have possessed have been pruned away
by the over-vigorous knife of some ruthless reformer.
The Song of the Three Kings, beginning,
“Through storm and wind, through weather wild,
We come to seek the new-born child,”
is sung by little boys, who at Christmas-time go about from house to
house with tinsel crowns on their heads, one of them having his face
blackened to represent the negro king, and who expect a few coins and
some victuals as reward for their performance.
At Hermanstadt these three kings threatened to become somewhat of a
nuisance in Christmas-week, there being several sets of them who were
continually walking uninvited into our rooms. At last one day when
we had already received the visit of several such royal parties, our
footman opened the door and inquired in a tone of mild exasperation,
“Please, madam, the holy three kings are there again; had I not better
kick them down-stairs?”
FOOTNOTES:
[61] The word _Götzen_ in German is exclusively used to express pagan
gods.
[62] In the original the phrase runs:
“This grows not in my garden.”
CHAPTER XXXI.
BURIED TREASURES.
Few things possess such powerful attraction as the thought of buried
treasures which may be lying unsuspected around us. To think that
the golden buttercups which dot a meadow are, perchance, but the
reflections of other golden pieces lying beneath the surface; to
suppose the crumbling gray walls of some ancient tower to be the dingy
casket enshrouding priceless gems, there secreted by long-vanished
hands—is surely enough to set imagination on fire, and engender the
wild, delirious hope that to you alone, favored among ten thousand
other mortals who have passed by the spot unknowing, may be destined
the triumph of finding that golden key.
Public-domain text, read in full here on John Shaqi.
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