The Land Beyond the Forest: Facts, Figures, and Fancies from TransylvaniaGerard, E. (Emily)
History
The Land Beyond the Forest: Facts, Figures, and Fancies from Transylvania
Gerard, E. (Emily)
Transylvania (Romania) -- Description and travel
Our question as to whether they have any jugs or plates is usually met
with a sort of ungracious affirmative. “Will they sell them?” “Not on
any account whatsoever! these jugs belonged to some dearly beloved
great-grandfather or grandmother, and must be preserved in their
memory. Not for unheard-of sums of gold could they bear to separate
themselves from such a relic,” etc.
These assertions must, however, be taken for what they are worth, and
whoever has tried the experiment will have found by experience that it
is merely a question of money, and that sometimes an extra bid of ten
or twenty kreuzers (twopence or fourpence) will turn the scale, and
induce these pious grandchildren to consign to oblivion the memory of
the beloved ancestor.
These jugs, which are destined to hold wine (one for each guest) on
the occasion of their baptismal, wedding, or funeral banquets, are
from nine to eleven inches high, and have a metal lid attached to the
handle. Every variety of coloring and pattern is to be found among
them; sometimes it is an uncouth design of dancing or drunken peasants,
sometimes a pair of stags, or a dog in pursuit of a hare, or else a
basket filled with fruit, or raised medallions with sprigs of flowers
in the centre.
My inquiries were usually met by the suspicious counter-questions, “Why
do you want to buy our jugs? What are you going to do with them?” and
the answer I gave, that I was fond of such old things, and that they
would be hung up in my dining-room, was often received with evident
disbelief.
These people are not easily induced to talk about themselves, and
have little sense of humor or power of repartee. They have an
instinctive distrust of whoever tries to draw them out, scenting in
each superfluous question a member of a species they abhor—namely, “a
chiel among them taking notes;” or, as the Saxon puts it, “one of those
incomprehensible towns-folk, ever fretting and ferreting after our ways
and customs, and who have no sensible reason for doing so either.”
[Illustration: SAXON EMBROIDERY AND POTTERY.
(This and the illustration on p. 53 are from the collection of Saxon
Antiquities in possession of Herr Emil Sigerus at Hermanstadt.)]
Two analogous incidents which I met with, soon after my arrival in
Transylvania, seemed to give me the respective clews to Saxon and
Roumanian character. The first was in a Saxon peasant’s house, where
I had just purchased two jugs and a plate, for which, being still a
stranger in those parts, I had paid considerably more than they were
worth, when on leaving the house the hostess put a small bunch of
flowers into my hand. The nosegay was somewhat tumbled and faded, for
this was Sunday afternoon, and probably the woman or her daughter
had worn these flowers at church earlier in the day. In my ignorance
of Saxon character I took this offering in the light of a courteous
attention, and accepted the bouquet with a word of thanks.
Public-domain text, read in full here on John Shaqi.
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