Society at Sierra Leone is in a very bad way; in fact from an English
point of view one may say that there is no society at all. The only
Europeans in the place are the officers of the garrison, the Colonial
officials, and a few shop-keepers, who, although they will sell
anything from three-pence worth of rum upwards, rejoice here in the
title of merchants. Ladies there are none, except on the few occasions
on which an officer’s wife may be found residing at Tower Hill, so what
little society there is consists of men alone, and is composed of the
most heterogeneous elements. Most of the so-called merchants appear
to have sprung from the lower _strata_ of English life, many of them
have black wives, and a large majority of the Colonial officers are
coloured; the Governors never seem to make the slightest attempt to
collect around themselves the more cultivated members of the Colony,
and everybody does that which seems good in his own eyes. The _élite_
of the coloured population sometimes get up balls, similar to the one
I witnessed at Lagos, and which like it usually terminate in an orgie,
and to these Europeans are occasionally invited; but it is only those
who have no sense of the ludicrous, or who have their facial muscles
well under control, that can afford to go. The retailing of scandal
seems to be the principal occupation of the town society, and if one
were to place implicit credence in the tales and gossip which abound
one would inevitably arrive at the conclusion that there was not an
honourable man or a virtuous woman in the place.
In by-gone years the officers of the garrison used to inaugurate
races, and a tract of ground near Kissi, on which stands a diminutive
grand-stand, is still called the race-course; but now the sole
amusement of the colony is the performance of the band of the regiment
therein stationed, on the green patch of ground known as the Battery.
This performance takes place once a week, but the majority of the
people are too lazy and apathetic to go to hear it, and, with the
exception of a few Colonial officers and some forty or fifty ragged
children, the musicians discourse to empty air. There was one Colonial
officer who was a regular attendant on band days, and whose principal
aim in life seemed to be to pose as an authority on music before the
uninitiated. As he knew nothing whatever of the science, and had
successfully picked up the phrases used in music without in the least
understanding their meaning, he frequently entangled himself in the
most irretrievable confusion, and was a source of much amusement.
One day the band was playing Gounod’s Serenade, and during the
performance the critic walked round and round as usual, beating time
in the air with his walking-stick, and assailing every inoffensive
bystander with a hailstorm of scientific jargon. When the piece was
finished he nodded approval and said:--
“Ah! pretty thing--pretty thing. Fine scale of minor fifths. Let me
see; what is it called?”
Public-domain text, read in full here on John Shaqi.
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