On the opposite or right bank of the broad and sandy bed, the traces of ancient buildings extend to a far greater distance, at least to two kilometres. They have been a continuous line of forts, cisterns, and tenements, still marked out by the bases of long thick walls; the material is mostly gypsum, leprous-white as the skin of Gehazi. But here, and indeed generally throughout Midian, the furious torrents, uncontrolled during long ages by the hand of man, have swept large gaps in the masses of homestead and public buildings. Again the ruins of this section are distributable into two kinds--the City of the Living, and the City of the Dead. The former, of considerable extent, hugs the watercourse, and crowns all the natural spurs that buttress the bed. Beginning from the north lie two blocks of building considerable in extent: the southern, called by the Arabs El-Malká, is a broken parallelogram. Further down stream the bank is a vast strew of broken pottery; and one place, covered with glass fragments, was named by our soldiers El-Khammárah--"the tavern" or "the hotel." As in ancient Etruria, so here, the people assemble after heavy rains to pick up what luck throws in the way. It is said that they often gather gold pieces, square as well as round, bearing by way of inscription "prayers" to the Apostle of Allah. Some of us, however, had a shrewd suspicion that the Tibr, or "pure gold-dust," is still washed from the sands, and cast probably in rude moulds. Behind, inland or westward of this southern town, lies the City of the Dead. Unlike the pitted graveyard to the north-east, the cemetery is wholly composed of catacombs, which the Bedawin call Magháir ("caves") or Bíbán ("doors"). The sites are the sides and mouths of four little branch-valleys which cut through the hillocks representing the Wady-bank. The northernmost is known as Wady el-Khurayk, because it drains a height of that name: the others bear the generic term Wady el-Safrá, so called, like the hauteville hill, from the tawny-yellow colour of the rocks. The catacombs, fronting in all directions, because the makers were guided by convenience, not by ceremonial rule, are hollowed in the soft new sandstone underlying the snowy gypsum; and most of the façades show one or more horizontal lines of natural bead-work, rolled pebbles disposed parallelly by the natural action of water. In the most ruinous, the upper layer is a cornice of hard sandstone, stained yellow with iron and much creviced; the base, a soft conglomerate of the same material, is easily corroded; and the supernal part caves in upon the principle which is destroying Niagara. At each side of the doorways is a Mastabah ("stone bench"), also rock-hewn, and with triple steps. The door-jambs, which have hollowings for hinges and holes for bars, are much worn and often broken; they are rarely inclined inwards after the fashion of Egypt. A few have windows, or rather port-holes, flanking the single entrance. The