The authorities give the Tolstoï family the greatest difficulty in its
work of educating the people. The village school was suppressed, because
reading and writing were taught there and not orthodoxy. The instruction
which the Countess Sasha now gives is quite unsystematic. Five children
come to her at the old manor, and are taught the black arts of reading,
writing, arithmetic, and manual training, in constant danger that some
high authority will interfere to ward off this injury to the state.
"It is quite probable that we shall all be officially disciplined when
my father is no longer living," the Countess Sasha said to us, with that
calmness with which every one in Russia sacrifices himself to his
convictions.
There was nothing pastoral, likewise nothing exalted, in Tolstoï's
manner during this conversation. After finishing his luncheon he rose
and walked up and down the long dining-room with me, both hands in his
belt, as he is painted by Ryepin. He spoke conversationally, with no
especial emphasis on any word, as to one whom there is no need of
convincing. It was the afternoon conversation of an intelligent country
gentleman with his guest--the easy, matter-of-course talking in a minute
of resting--talk that is not meant to go deep or to philosophize. To me
it proved only the lively interest taken by Tolstoï in all the events of
the day. He was not at all the hermit, merely preparing himself by holy
deeds for heavenly glory, but an alert, vigorous, elderly man who
watches events without eagerness or passion, yet with sufficient
sympathy--an apostle unanointed, literally or figuratively.
Public-domain text, read in full here on John Shaqi.
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