Even the deepest reverence does not require uncritical adoration.
Moreover, Tolstoï is of such phenomenal importance for us all that the
narrator who can communicate his own perceptions is bound to reproduce
them with the most absolute fidelity. Therefore, I believe I ought not
to conceal the thoughts which refused to leave me during the walk
through this village. I had to admire once more the deep humanity of the
Tolstoïs when I saw the Countess Sasha, in her beauty and purity, go
into the damp, dirty hovels of the peasants, and caress the ragged and
filthy children, just as Katyusha, in _The Resurrection_, kissed a
deformed beggar on the mouth in Easter greeting after the Easter mass.
This absolute Christian brotherliness receives expression also in the
whole attitude of the family. Countess Sasha says, quite in the spirit
of her father: "The industrious peasant stands much higher morally than
we who own the land and do not work it. Otherwise he differs in no way
from us in his virtues and vices." This brotherliness, however, has this
shortcoming, that it leaves the brother where it finds him, and does not
compel him to conform to different and more refined ways of living. The
Tolstoï family teaches the village children. It has established a little
clinic in the village. But it does not make its influence felt in
teaching the villagers personal cleanliness, taking, say, the German
colonists in the south as a model. I cannot conceive of the peasants of
Yasnaya Polyana looking as they would if the landlord were an English or
Dutch philanthropist instead of a Russian; and I cannot believe, either,
that the simplicity of manners or the warmth of brotherly love would
suffer if the village looked, for instance, like those of the Moravians,
which shine with cleanliness. To be sure, the count refrains from any
pressure on the people about him, and if his muzhik feels better
unwashed, as his fathers were before him, and prefers a dirty, unaired
room, shared with the dear cattle, to one in which he would have to take
off his shoes to prevent soiling the floor, the count will not exhort
him to change into a Swabian or a Dutchman. Æsthetic demands do not form
any part of the Tolstoï view of life--I believe that for this reason it
will find slow acceptance in the West.
Public-domain text, read in full here on John Shaqi.
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