Immediately was sent the telegraphic order to
investigate the thing most thoroughly, and if those who were the
sufferers had not refused all assistance to the police another couple of
dozen would-be rioters would have been sent to Siberia, in order that
the existence of a Polish revolution might be proved. A Russian editor,
whose paper had been suppressed because of the publication of a
revolutionary poem, sought audience of the head of the censorship at the
ministry of the interior, in order to obtain permission for the
reappearance of the paper. The chief of the department explained to the
editor, according to a Russian nobleman, that if he should simply
declare to the minister that the revolutionary poem had been smuggled
into the paper by Jews, he would immediately obtain permission to
publish his paper again! From a source whence I never should have
expected such a statement, from a highly conservative aristocrat, an
"excellency" in the service of the state, I received in all seriousness
the information that only Plehve, in league with Alexeyev, had conjured
up the war by holding off the Japanese, simply because in this way he
would become so much the more indispensable. Nay, more, it was even
indicated to me that the nihilists, who killed Alexander II. at the very
moment when the proclamation of a constitution lay upon the table
awaiting his signature, could not have found their way to the imperial
carriage without help from the police. And the ally of Loris-Melikov,
the man who had drawn up the plan, and who best of all knew how near its
signature, which must be avoided, the proclamation was, was none other
than Plehve! His instinct drove him to the ranks of the reactionaries,
for there is little use for people of his caliber in a constitutional
state. His anti-Semitic tendencies, which he naturally disavows to every
Jewish visitor, are only assumed because people high in position and
influence, like the empress dowager, Prince Sergius, and others of the
generation of Alexander III., are fanatically anti-Semitic. So even this
is not genuine in him. Nothing is but his theatrical ambition to assert
himself as long as possible, and to have the nerve-tickling of a
tight-rope walker who balances on his wire rope over fixed bayonets.
Public-domain text, read in full here on John Shaqi.
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