The land of the Hittites : $b An account of recent explorations and discoveries in Asia Minor, with descriptions of the Hittite monumentsGarstang, John
History
The land of the Hittites : $b An account of recent explorations and discoveries in Asia Minor, with descriptions of the Hittite monuments
Garstang, John
Hittites; Turkey -- Antiquities
Facing the god, and posed at a higher level (possibly, as in other
examples of eastern art, so that the relative smallness of the figure
would be less apparent), is the figure of the priest-king, who, if we
mistake not the group of hieroglyphs that denote him, is the same that we
have previously met with near Tyana.[458] In general style and in some
details, the treatment of this figure is similar; but the dress differs
in several ways. The priestly skull-cap is surrounded by three decorated
fillets with a knotted ornament of jewels upon the brow. The long skirt
is a richly woven garment, on which the pattern is chiefly a series of
punctuated squares in parallel rows, with a _svastika_ border edged with
a fringe. Over the shoulders there is thrown an embroidered mantle, with
ample collar, attached in front with a jewelled clasp or brooch. It falls
behind to below the knees, while in front the tasselled or fringed ends
trail on the ground. The pattern is arranged in three bands of continuous
squares or double zigzags. There is a substantial necklace and bracelet.
The boots and features and hair are treated as in the god-figure
opposite; perhaps the hair is bunched in this case a little more thickly
behind the neck. The right leg is advanced, and the two raised hands are
clearly clasped before the face, the fingers and nails of the further
hand being carefully represented.
There are three short inscriptions accompanying these figures. In that
which is carved before the face of the god, Professors Sayce[459] and
Jensen both find the name of Sandes in the first line (the W-like sign
below the divided oval that signifies divinity). In the next line, as in
the overlap of the first and second lines of inscription behind the king,
we find the same name (read Ayminyas)[460] as we have previously seen in
the inscriptions of Bor and of Bulghar-Madên. This point is of importance
in considering the history of the Hittite peoples when, as it seems, the
central authority was no longer at Boghaz-Keui. For the date of these
sculptures, if only from their close analogy in treatment to those of
Sakje-Geuzi, may be put down to the tenth or ninth century B.C. It would
seem indeed that we are here drawn into relation with the kingdom of
(Greater) Cilicia, which, with Tyana probably as capital, took the place
of the Hatti-state within the Halys, as the dominant Hittite state at the
beginning of the first millennium B.C.[461]
Public-domain text, read in full here on John Shaqi.
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