The worshippers (_m_) are three in number, and seem to be all similar to one another; unfortunately their faces are obliterated. They stand with one foot forward, which is probably the right, as they are turned to the left towards the goddess. They seem to be clad in the toga-like garment, as worn by the priest and his attendants in the corresponding scene on the opposite side. The front edge of this garment, however, is bordered in some way and so prominently displayed that it has misled many observers. The right arms of these figures are advanced with hands uplifted.[618] The left elbow is by the side and bent, and the hand, opposite the middle of the chest, clasps a straight staff about its middle, with the upper end resting upon the shoulder in a natural position. The top end does not curve (as suggested by M. Guillaume’s drawing), and if there was any embellishment it was in the addition near the middle of the crescental object seen better on a sculpture (_a_²) in the left hand of the approach, which is described below. The feature is not clear in this case, however. This block is followed by a third (_n_) still _in situ_, on which there may be faintly made out the representations of three other figures similar to those which precede. The next block (_o_) is out of place, and somewhat lower than those of this façade: none the less it is sufficiently near in position and in size for it to be probable that it followed next in the series. Upon it there is depicted with magnificent realism a bull,[619] with lowered head, as in the act of charging or preparing to toss. Another stone (_p_), though at hand, is separated from its neighbours, and standing now on end, does duty as the jamb of a doorway into the public wash-house of the village. This is carved with equally vigorous realism, the subject being a lion holding down a ram with his forefeet; the hind legs, too, are outstretched as though he had not recovered from his spring. The tail is down and curls outwards. The lion faces left, and the ram is transverse to the latter’s profile. This block must have served as corner-stone, from the analogy of similar monuments at Sakje-Geuzi[620] and elsewhere, in which the body of the lion is carved in relief, with the head and forepart in the round. Upon his back there is to be seen a squared surface for the reception of the upper corner-stone. In this case the ram also is in high relief, with head in the round, as the length of its body corresponds with the thickness of the stone.[621] The treatment of detail on the flank and quarters of the ram obeys a definite Hittite convention, which is further illustrated by the two loose stones recently discovered. These were found[622] below and in front of the lower frontage-wall on the left (_x_, _y_). Each is carved in an upper and lower register. On the one, in the upper part, a man is represented kneeling, taking aim with bow and arrow against a wild boar which is charging him.