The next block (_h_) shows six figures.[628] These sculptures are in a poor state, but some details may be gleaned. The men are in procession or in line, all turned towards the right, facing, that is, the sphinx and the entrance to the palace. They seem to be clad in short tunics, and they wear tip-tilted shoes. Their head-dress is possibly helmet-like, as worn by the mason on the ladder described above. The knot of their girdle-rope is seen in some cases. The left hands seem all to be held up in symmetry, with their right hands near the middle of the waist, and their right elbows bent. The counterpart to this group on the opposite side (_k_) is of special interest, but was not published by M. Perrot. As pointed out by Professor Ramsay,[629] who first rolled this block over and so found the sculpture, there is on the right hand of the picture the clear outline of a seated goddess, resembling in most respects the goddess adored in the front group (_l_), which we have described and identified with Kybele. In this case the stone is broken, and only the knees and hands are seen, with part of the stool, but the analogy is sufficient. Any object that may have been held in her hand is no longer visible, and a row of points has been drilled at some time across the stone as though to sever that end from the block. The next feature of interest is the reappearance of the chief priest and priestess, whom we suppose to have been the local king and queen, and whose figures we have seen previously, on the left front (_b_), conducting the rites at the shrine of the Bull. Only in this case an oblation scene is represented, such as we have noticed at Malatia and at Fraktin.[630] In the restored scene the priest pours out the liquid offering with his left hand into a vase held by the goddess; while the priestess poises some large object like a pomegranate aloft. Unfortunately in this case again the head-dress of the queen cannot be made out. She is followed by two weathered figures, who resemble the attendants in the previous instance, wearing the same toga-like garment with prominent front edge.