No. xxii. It is preceded by a splendid sculpture of the Hittite storm-god Tessup, or by whatever name he should be called.[670] He wears the characteristic short tunic and upturned shoes of the Hittite people. His head-dress is the tall conical hat with expanding top. His beard is long, square-cut, and depicted as usual in successive bands of short curls or plaits. The nose is long and straight, and the eyes are large. A long curling plait of hair, resembling a pigtail, falls behind his neck and shoulder, and is seen below the right elbow, which is held up. A long dagger with crescental hilt, and the midrib clearly shown, is slung from the farther side of the belt, the handle backwards. In his left hand he holds up an emblem, like a three-pronged trident, representing, it is supposed, forked lightning, while in his right hand he wields aloft an axe-hammer with short handle, to which it is bound by threads. No. xxiii. The next sculpture fills one side of the corner-stone. It is the representation of a woman, and though broken at the top several new features may be discerned in it, while other details are more plainly seen than in cases previously described. Her dress is a long robe reaching to the ankles, bound at the waist with a rope-girdle of six strands. This garment seems to be wrapped round the body, joining down the right side, where it is fringed or bordered in some way. Behind the figure there is the suggestion of a long veil or cloak, which, from the numerous serrations in the drawing, may also have been fringed or embroidered. The top of the hat is not clear, but the front peak is turned upwards. A double plait and curl are seen as usual behind the neck, and a necklace also is shown. In her right hand she seems to grasp something like a feather, while with her left hand she holds up a round mirror, with handle similar to those frequently found in Egyptian tombs.[671] The drawing of the right hand, which is in front of the body, exhibits the same fault as we indicated in a recent instance, where, with thumb upwards, the palm of the hand is also turned outwards—an impossible position. We have now reached the return of the wall, on the inner side of the pilaster to the outer gateway. This, like the corresponding wall on the opposite side to the left, was left blank, probably because it did not strike the eye of any one entering the gateway, and it was also in comparative darkness to any one going out. We proceed then to describe the remaining sculptures decorating the pilasters of the inner doorway, and, in the first place, those which flank the position of the doorway on either side: the corresponding walls of the outer doorway were decorated with representations of lions facing outwards.