The land of the Hittites : $b An account of recent explorations and discoveries in Asia Minor, with descriptions of the Hittite monumentsGarstang, John
History
The land of the Hittites : $b An account of recent explorations and discoveries in Asia Minor, with descriptions of the Hittite monuments
Garstang, John
Hittites; Turkey -- Antiquities
He stands upon the shoulders of the
beast, whose head cowers in abjection. In the photograph before us there
is a suggestion of hieroglyphs upon the face of the stone, a feature
which is not, however, confirmed by the observations of others. We thus
have in this sculpture a recognisable mingling of the Hittite and
Assyrian motives; and the sculptor’s art, at any rate, has not suffered
in the combination. Both in treatment and in drawing this monument,
though weathered and exposed, reveals an evidence of artistic skill which
in some of the purely Hittite monuments elsewhere is not even suggested.
Turning now to the monuments of Jerablus that bear Hittite inscriptions
upon them, another deity is found on a fragment of basalt, 31 inches
high, upon which the lower part of the body and the ends of four bands
of hieroglyphs are preserved.[266] In this case the wings are depressed,
folding by the sides, and reaching to the knees, otherwise they would
hardly be visible on the broken stone. The feet of the figure and the
left hand are missing; in the right hand, which is in front of the body,
is a small seed-basket—a symbolism derived from the other side of the
Euphrates.[267] The long robe of this deity is similarly strange to early
Hittite art, being bordered with a long fringe, and divided by several
parallel bands of embroidery.[268] This seems to be an outer cloak,
for one may see on the original traces of the familiar short tunic.
The carving of this monument is unsurpassed on any inscribed Hittite
relief. The delicate indications of the knee muscles may be noted as an
illustration, especially when the gritty nature of the stone is taken
into consideration. In making this comparison it should be borne in
mind that most of the known Hittite reliefs are worn through exposure
to the weather; and that objects unearthed for the first time, as at
Sakje-Geuzi, give a different impression as regards the sculptor’s
craft. Another noteworthy instance is at Iasily Kaya, where a row of
figures which had been partly covered, at least for long centuries, has
been cleared during the last few decades, giving evidence of a detailed
treatment of the whole series which would not have otherwise been
suggested.
Public-domain text, read in full here on John Shaqi.
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