The land of the Hittites : $b An account of recent explorations and discoveries in Asia Minor, with descriptions of the Hittite monumentsGarstang, John
History
The land of the Hittites : $b An account of recent explorations and discoveries in Asia Minor, with descriptions of the Hittite monuments
Garstang, John
Hittites; Turkey -- Antiquities
There are two notable inscriptions from Jerablus among many which are
fragmentary. The one is a corner-stone of special shape,[275] being
recessed in the very angle for eight inches on each side. The raised
inscription upon it, however, seems to be continuous even through the
recessed angle to the broken end of the block. The stone is basalt,
and the whole measures 39½ inches in height. The widths of the various
stages, beginning from the right side, which is unbroken, are 7 inches,
8½ inches, 8¾ inches, and 22 inches to the fractured edge. In further
explanation of the form of the stone, it may be said that the first and
third of these measures are in the same parallel direction, and combine
to give that side of the whole stone a width of 15¾ inches. Similarly the
next side was at least 30½ inches wide. The inscription is in relief, and
is arranged in five bands, divided by lines of equal projection. The
signs are clear, and the tenor of the inscription, according to Professor
Sayce’s reading, is religious and monumental, giving the king-priest’s
account of his setting up a bull shrine on a high place at Carchemish.
Another considerable inscription is found on a portion of a round column,
5 feet 6 inches high.[276] Four bands of the inscription are perfect
so far as they continue, namely, for 41 inches, but the beginning and
ending of the lines are not preserved. There is another band partly
visible above. The back of this object has been dressed, subsequently to
the breaking of the stone, for the purpose of carving thereon a figure
seemingly divine and in full face. It is not in Hittite style, but
Hittite influence may be found surviving in certain features.
Public-domain text, read in full here on John Shaqi.
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