The "Land & Water" edition of Raemaekers' cartoons, volume 1Raemaekers, Louis
History
The "Land & Water" edition of Raemaekers' cartoons, volume 1
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
“La guerre,” said Mirabeau, “est l’industrie nationale de la Prusse.”
She came into existence by that industry and no other; and until
civilisation can crush that industry, peace terms with Prussia must not
depend upon her promise to fulfil them but upon our power to make her
do so. To cry “Down with militarism!” therefore is emphatically to play
the German game, and she will always support that cry in other mouths,
just as she applauds our “Free Trade” and other traditions that have
played into her hands so long.
Holland at least is alive to danger, and since the artist drew this
picture we have learned by _communiqué_ from Dutch General Headquarters
that the army is equipped in every possible respect, and able to
face the prospect of war with confidence. The nation as a whole has
supported Parliament with enthusiasm, and the preparations have been
directed and inspired by the spectacle of modern warfare and its
highest needs.
EDEN PHILLPOTTS
[Illustration: THE DUTCHMAN: “Down with militarism.”
THE GERMAN: “That’s right. So much the sooner you will be ours.”]
Our Lady of Antwerp
“Here I and sorrows sit. This is my throne, bid Kings come worship
it.” Such seems to be an appropriate legend for Raemaekers’ beautiful
triptych which he has entitled “Our Lady of Antwerp.” Full of
compassion and sympathy for all the sufferings of her people, she sits
with the Cathedral outlined behind her, her heart pierced with many
agonies. On the left is one of the many widows who have lost their
all in this war. On the right is a soldier stricken to death, who has
done his utmost service for his country and brings the record of his
gallantry to the feet of Our Lady of Antwerp.
Antwerp, as we know, was at the height of its prosperity in the
sixteenth century. We have been told that no fewer than five hundred
ships used to enter her port in the course of a day, while more than
two thousand could be seen lying in her harbour at one time. Her people
numbered as many as one million, her fairs attracted merchants from all
parts of Europe, and at least five hundred million guilders were put
into circulation every year. We know what followed. Its very prosperity
proved a bait to the conqueror. In 1576 the city was captured by the
Spaniards, who pillaged it for three days. Nine years later the Duke
of Parma conquered it, and about the time when Queen Elizabeth was
resisting the might of Spain Antwerp’s glory had departed and its trade
was ruined. At the close of the Napoleonic wars the city was handed
over to the Belgians.
Public-domain text, read in full here on John Shaqi.
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