The "Land & Water" edition of Raemaekers' cartoons, volume 1Raemaekers, Louis
History
The "Land & Water" edition of Raemaekers' cartoons, volume 1
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
For us it is better to regard the figure as an international, and
often anti-national, character who exists in all nations, and who,
even in a belligerent country like our own, can often contrive to be
neutral and worse than neutral. A prosperous bully with the white
waistcoat and coarse, heavily cuffed hands, with which such prosperity
very frequently clothes itself, is represented as thrusting food in
the starved face of an evicted Belgian and saying: “Eat and hold your
tongue.”
The situation is worthy of such record, if only because it emphasises
an element in the general German plot against the world which is often
forgotten in phrases about fire and sword. The Prussianised person is
not only a military tyrant; he is equally and more often a mercantile
tyrant. And what is in this respect true of the German is as true or
truer of the Pro-German.
The cosmopolitan agent of Prussia is a commercial agent, and works by
those modern methods of bribing and sacking, of boycott and blackmail,
which are not only meaner, but often more cruel, than militarism. For
anyone who realises the power of such international combinations, there
is the more credit due to the artists and men of letters who, like
Raemaekers himself, have decisively chosen their side while the issue
was very doubtful. And among the Belgian confrères there must certainly
have been many who showed as much courage as any soldier, when they
decided not to eat and be silent, but to starve and to speak.
G. K. CHESTERTON
[Illustration: THE DUTCH JOURNALIST TO HIS BELGIAN CONFRÈRE: “Eat and
hold your tongue.”]
A Bored Critic
From Homeric warfare to subterranean conflict of modern trenches is a
far cry, and Ares, God of Battles, may well yawn at the entertainment
with which the Demon of War is providing him. But the spectator of
this grim “revue” lacks something of the patience of its creator, and
our Mephistopheles, marking the god’s protest, will doubtless hurry
the scene and diversify it with new devilries to restore his interest.
Indeed, that has happened since Raemaekers made his picture.
The etiquette of butchery has become more complicated since Troy fell,
yet it has been so far preserved till now that the fiend measures
Ares with his eyes and speculates as to how far the martial god may
be expected to tolerate his novel engines. Will asphyxiating gas, and
destruction of non-combatants and neutrals on land and sea, trouble
him? Or will he demand the rules of the game, and decline to applaud
this satire on civilisation, although mounted and produced regardless
of cost and reckoning?
Public-domain text, read in full here on John Shaqi.
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