The "Land & Water" edition of Raemaekers' cartoons, volume 1Raemaekers, Louis
History
The "Land & Water" edition of Raemaekers' cartoons, volume 1
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
Nish is a town of little more than 20,000 inhabitants; about the size
of Taunton or Hereford--smaller than Woking or Dartford. Working on
a basis of comparative populations, the Emperor would have to repeat
without more delay his bravery at Nish in 150 towns of the same size
before he could convince his people that he is even now on the point of
fulfilling his first rash promises to them of the rapid overthrow of
his foes. Pursuing the same calculation, he is bound to multiply his
present glories 350 times before he can count securely on spending a
night as conquering hero in Buckingham Palace.
Even the Kaiser must know in his heart that woefully, from his own and
his people’s point of view, did he overestimate his strength at the
outset. For the time he contents himself with the backwater of Nish
for the scene of his oratory of conquest. His vainglorious words may
well prove in their environment the prelude of a compulsory confession
of failure, which is likely to come at a far briefer interval than the
eighteen months which separate the imaginary hope of Paris from the
slender substance of Nish.
SIDNEY LEE
[Illustration: THE TRIALS OF A COURT PAINTER
“I commenced this as the entry into Paris, but I must finish it as the
entry into Nish.”]
The Fire Fiend
Among the many inventions which German ingenuity and science have
devised for the effective conduct of this war, and for the elevation
of Germany to supremacy in the world, the most repellent in general
estimation has been the use of fire; but this commends itself with
peculiar zest to Mephistopheles, who here sits on a chair beside the
telephone and calls up the Prussian Palace at Potsdam. He cannot
restrain his admiration and delight at this new invention. It is
entirely to his heart. He sits with one leg rested on the knee of
the other; and you will notice that the foot of this leg, with its
carefully careless drawing, suggests a cloven hoof, while the scanty
hair, by its arrangement, gives the effect of a pair of horns: even in
this figure, an ornament of high-class society, there linger the signs
of the half-bestial figure of Satan. The face is wholly the countenance
of the devil, conceived as the man of society, who has moved amid the
luxury of the most fashionable circles, where his wit and cynicism have
made him popular.
Public-domain text, read in full here on John Shaqi.
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