The Landloper: The Romance of a Man on FootDay, Holman
General
The Landloper: The Romance of a Man on Foot
Day, Holman
Political corruption -- Fiction; Water-supply -- Fiction
Bristol tore his hand from the lawyer's clasp and hurried away.
But at the Trelawny he did not find the Kilgours' name on the directory
board. The elevator man, the janitor, the manager, told him the
same story with the same indifference. The Kilgours had sold their
possessions and had removed--they had left no address.
Bristol walked the streets and cursed the stilted folly that had made
his farewell to her a parting in which he had pledged nothing, had
promised nothing, had left no hopes for the future. He was not consoled
by the thought that his farewell to her had been for her own sake, as
he had viewed his situation. In the depths of his despair, when he
had released her hand at the little gate, he had grimly sacrificed
himself--had resolved to save her from himself by final and complete
separation.
And thinking of that parting at the little gate, hardly realizing where
his wanderings led him, he went down to the great mills which were dark
and silent under the shadows of the evening.
Old Etienne had brought a lamp from Mother Maillet's kitchen and had
set it on the stoop. He was whittling, and a little boy snuggled close,
fixing intent regard on the work.
The evening was bland after a balmy day of Indian summer.
Bristol stopped at the fence and called greeting.
The old man peered anxiously, shielding his eyes from the light of the
lamp.
“M'sieu'! M'sieu'!” He stammered, brokenly, gasping as he spoke the
words. His wrinkled face worked as if he were trying to keep back the
tears. His voice choked.
“You are surprised to see me back here, Etienne--is that it?”
“I am not surprised, m'sieu'. I knew you would come back. I am
glad--that's why the tear come up in my eye. I cannot help that.”
“You are working late, Uncle Etienne.”
“_Oui_, the odders are gone home. But this leetle boy--I take care till
his modder come from the shop. But you shall come in here, m'sieu'.”
“I cannot stop, Etienne. I am--” He could not finish the sentence. He
turned to go.
“I say you shall come in. You must come queeck!” The old man spoke in
a shrill whisper. He put aside his knife and stick and hurried to the
fence. He reached and caught Bristol's sleeve. “Ba gar!” he declared,
with as much impatience as anybody had ever heard in the tone of Etienne
Provancher, “even the poor habitant boy in the Tadousac country know
better how to love the nice girl as what you do, M'sieu' Farr.”
“My name is not Farr; it is--”
“I don't care what your name be,” snapped the old man. “Tell me that
some odder time. It's what _you_ be--that's what I care! And you don't
be good to nice girl.”
“I don't understand.”
“You go back there and rap on Modder Maillet's front door and then you
understand! I'm only poor mans, m'sieu', but I shall talk to you like I
spoke to the mans in the _hotel de ville_--and I shall not be scare when
I am right.”
“Look here, Etienne! What do you mean?”
Public-domain text, read in full here on John Shaqi.
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