The Landlord at Lion's Head — Volume 2Howells, William Dean
General
The Landlord at Lion's Head — Volume 2
Howells, William Dean
Artists -- Fiction; Massachusetts -- Fiction
"You can make a beginning in the West easier than you can in the East,
and some people who came to our lumber camp discovered me, and gave me a
chance to begin. I went to Milwaukee first, and they made me think I was
somebody. Then I came on to New York, and they made me think I was
nobody. I had to go to Europe to find out which I was; but after I had
been there long enough I didn't care to know. What I was trying to do was
the important thing to me; not the fellow who was trying to do it."
"Yes," she said, with intelligence.
"I met some Boston people in Italy, and I thought I should like to live
where that kind of people lived. That's the way I came to be in Boston.
It all seems very simple now, but I used to think it might look romantic
from the outside. I've had a happy life; and I'm glad it began in the
country. I shouldn't care if it ended there. I don't know why I've
bothered you with my autobiography, though. Perhaps because I thought you
knew it already."
She looked as if she would have said something fitting if she could have
ruled herself to it; but she said nothing at all. Her failure seemed to
abash her, and she could only ask him if he would not have some more
coffee, and then excuse herself, and leave him to finish his breakfast
alone.
That day he tried for his picture from several points out-of-doors before
he found that his own window gave him the best. With the window open, and
the stove warm at his back, he worked there in great comfort nearly every
afternoon. The snows kept off, and the clear sunsets burned behind the
summit day after day. He painted frankly and faithfully, and made a
picture which, he said to himself, no one would believe in, with that
warm color tender upon the frozen hills. The soft suffusion of the winter
scene was improbable to him when he had it in, nature before his eyes;
when he looked at it as he got it on his canvas it was simply impossible.
In the forenoons he had nothing to do, for he worked at his picture only
when the conditions renewed themselves with the sinking sun. He tried to
be in the open air, and get the good of it; but his strength for walking
had failed him, and he kept mostly to the paths broken around the house.
He went a good deal to the barn with Whitwell and Jombateeste to look
after the cattle and the horses, whose subdued stamping and champing gave
him a sort of animal pleasure. The blended odors of the hay-mows and of
the creatures' breaths came to him with the faint warmth which their
bodies diffused through the cold obscurity.
When the wide doors were rolled back, and the full day was let in, he
liked the appeal of their startled eyes, and the calls they made to one
another from their stalls, while the men spoke back to them in terms
which they seemed to have in common with them, and with the poultry that
flew down from the barn lofts to the barn floor and out into the
brilliant day, with loud clamor and affected alarm.
Public-domain text, read in full here on John Shaqi.
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