The other noted mosques of Constantinople are the _Yeni Djami,_ or Mosque of the Sultana Valide, on the shore of the Golden Horn, at the end of the bridge to Galata; that of Sultan Bajazet; of Mahomet II., the Conqueror, and of his son, Suleyman the Magnificent, whose superb mosque well deserves this title. I regret exceedingly that our time did not allow us to view the interior, for outwardly it not only surpasses St. Sophia, and all other mosques in the city, but is undoubtedly one of the purest specimens of Oriental architecture extant. It stands on a broad terrace, on one of the seven hills of Stamboul, and its exquisitely proportioned domes and minarets shine as if crystalized in the blue of the air. It is a type of Oriental, as the Parthenon is of Grecian, and the Cologne Cathedral of Gothic art. As I saw it the other night, lit by the flames of a conflagration, standing out red and clear against the darkness, I felt inclined to place it on a level with either of those renowned structures. It is a product of the rich fancy of the East, splendidly ornate, and not without a high degree of symmetry--yet here the symmetry is that of ornament alone, and not the pure, absolute proportion of forms, which we find in Grecian Art. It requires a certain degree of enthusiasm--nay, a slight inebriation of the imaginative faculties--in order to feel the sentiment of this Oriental Architecture. If I rightly express all that it says to me, I touch the verge of rapsody. The East, in almost all its aspects, is so essentially poetic, that a true picture of it must be poetic in spirit, if not in form.