The Lands of the Saracen: Pictures of Palestine, Asia Minor, Sicily, and SpainTaylor, Bayard
History
The Lands of the Saracen: Pictures of Palestine, Asia Minor, Sicily, and Spain
Taylor, Bayard
Middle East -- Description and travel; Spain -- Description and travel
The pavilions of the Court of Lions, and the halls which open into it, on
either side, approach the nearest to their original perfection. The floors
are marble, the wainscoting of painted tiles, the walls of embroidery,
still gleaming with the softened lustre of their original tints, and the
lofty conical domes seem to be huge sparry crystalizations, hung with
dropping stalactites, rather than any work of the human hand. Each of
these domes is composed of five thousand separate pieces, and the pendent
prismatic blocks, colored and gilded, gradually resolve themselves, as you
gaze, into the most intricate and elegant designs. But you must study long
ere you have won all the secret of their beauty. To comprehend them, one
should spend a whole day, lying on his back, under each one. Mateo spread
his cloak for me in the fountain in the Hall of the Abencerrages, over the
blood-stains made by the decapitation of those gallant chiefs, and I lay
half an hour looking upward: and this is what I made out of the dome. From
its central pinnacle hung the chalice of a flower with feathery petals,
like the "crape myrtle" of our Southern States Outside of this, branched
downward the eight rays of a large star, whose points touched the base of
the dome; yet the star was itself composed of flowers, while between its
rays and around its points fell a shower of blossoms, shells, and sparry
drops. From the base of the dome hung a gorgeous pattern of lace, with a
fringe of bugles, projecting into eight points so as to form a star of
drapery, hanging from the points of the flowery star in the dome. The
spaces between the angles were filled with masses of stalactites, dropping
one below the other, till they tapered into the plain square sides of the
hall.
In the Hall of the Two Sisters, I lay likewise for a considerable time,
resolving its misty glories into shape. The dome was still more suggestive
of flowers. The highest and central piece was a deep trumpet-flower, whose
mouth was cleft into eight petals. It hung in the centre of a superb
lotus-cup, the leaves of which were exquisitely veined and chased. Still
further below swung a mass of mimosa blossoms, intermixed with pods and
lance-like leaves, and around the base of the dome opened the bells of
sixteen gorgeous tulips. These pictures may not be very intelligible, but
I know not how else to paint the effect of this fairy architecture.
Public-domain text, read in full here on John Shaqi.
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