Boom! boom! The deep solemn sound penetrated each court and alley
of the ancient city, and struck awe to the hearts even of the most
hardened; boom! boom! the swelling tones startled the boatmen on the
Exe, awoke the echoes of the hills around the fair city of the west,
nay reached the rich purple moorland, and startled the children who
played amongst the heather or gathered whortle-berries.
And beneath the two grand old towers in front of the great west door of
the historical fane, was erected that disgrace to the civilization of
our forefathers, the scaffold with its gibbet and quartering block, its
hideous butchering apparatus, in the very cathedral yard.
What a multitude had now assembled! men, women, boys, girls; the noble
and the simple, the burgher and the vagrant; there were many stalwart
country men too from Dartmoor, each wearing a sprig of heather in his
hat, that his companions might recognise him.
“_Here they come!_”
The bell booms out faster and faster, the multitude stretch their
necks to gaze and catch the first glimpse of the sufferers. Oh, what a
strange, morbid interest clings to those about to die; the very fact
that that body framed by God as His noblest work, and sanctified by
being limb for limb the same as the Incarnate Son took as His own, the
very fact that that body is to be so ruthlessly desecrated, causes
this awful excitement, this panting, breathless interest, in the poor
victims.
Forward they come, between two lines of halberdiers; how calm and
resigned they look as they approach the scaffold. The litany of
the dying with its perpetual response--_Ora pro eis_ (pray for
them)--addressed in turn to each saint and angel of the calendar,
is now audible. The multitude catch up the strain and join in the
response; now it is _Miserere Domine_, now again _Ora pro eis_; but
it is no longer one feeble voice, but the breath of a multitude which
bears the sweet sad refrain to heaven.
They are close to the fatal spot, and first the youth, then the old
man ascends the steps, clad in white, for such was their choice,
in testimony of their innocence of all crime before men. The fair
attractive face of the younger sufferer, so sad, yet resigned, that it
seems of itself a petition for pity, the reverend face of the senior,
like to that of some holy patriarch or prophet, so soon too to be
dabbled in blood and stuck up on rusty nails over the Guild hall in
the High Street; truly this is piteous, and the gentler portion of the
spectators can hardly forbear weeping as they still cry _Miserere_ or
_Ora pro eis_, while the _cannibals_ who are there smack their lips at
the dainty sight prepared for them.
Public-domain text, read in full here on John Shaqi.
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