Beijing (China) -- Description and travel; Beijing (China) -- History -- Siege, 1900
My timid host, in ceremonial costume, awaits me at the entrance, and
makes me take a seat with him on the central throne, where he offers me
the obligatory tea in porcelain a hundred years old. Then he had the
discretion to bring the audience to a close and to bid me good-night.
As he withdrew he told me not to be disturbed if I heard a good deal
of coming and going over my head, as the space above was frequented by
rats. Neither was I to be disturbed if I heard on the other side of
my paper window-panes people walking up and down in the yard playing
castanets; they would be the night watchmen, thus informing me that
they were not asleep, and were doing their duty.
"There are many brigands in this country," he added; "the city with
its high walls closes its gates at sunset, but the workmen going to
the fields before daybreak have made a hole in the ramparts,--this the
brigands have discovered, and do not hesitate to enter by it."
When this deep-bowing mandarin was gone, and I was alone in the
darkness of my dwelling, in the heart of an isolated city whose gates
were guarded by human heads in cages, I felt myself at an infinite
distance away, separated from my own world by immense space as well as
by time, by ages; it seemed to me that I was going to sleep amongst a
people at least a thousand years behind our era.
SATURDAY, April 27.
The crowing of cocks, the singing of little birds on my roof, awoke me
in my strange old room; and by the light that came in through my paper
panes I guessed that the warm sun was shining out of doors.
Osman and Renaud, who were up before me, came to tell me that they were
hurriedly making great preparations in the courtyard of the Yamen in
order to give me a fête, a morning fête, because we had to continue
our route to the imperial tombs soon after the mid-day meal.
It began about nine o'clock. I was given a seat in an arm-chair beside
the mandarin, who seemed weighed down beneath his silken gowns. In
front of me, in the dazzling sunshine, was the series of courts with
porticoes of irregular outline and old monsters on pedestals. A crowd
of Chinese--always the men alone, it is understood--have assembled in
their eternal blue rags. The yellow wind which had died down at night,
as usual, begins to blow again, and to whiten the heavens with dust.
The acacias and the monotonous willows, which are almost the only
trees scattered over this northern China, show here and there on their
slender old branches little pale-green leaves just barely out.
First comes the slow, the very slow, passing of a band with many gongs,
cymbals, and bells all muffled; the melody seems to be carried by a
sweet, melancholy, and persistent unison of flutes,--large flutes, with
a deep tone, some of which have several tubes, and resemble sheaves of
wheat. It is sweet and lulling, exquisite to hear.
Public-domain text, read in full here on John Shaqi.
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