Beijing (China) -- Description and travel; Beijing (China) -- History -- Siege, 1900
The great eastern artery that crosses the Tartar City is, of all
the streets of old Pekin, the nearest to what it used to be; life
here is becoming intense, the people swarm. For the length of a
league this avenue, which is fifty metres wide,--of magnificent
proportions, although now very much injured,--is invaded by thousands
of platforms, sheds, tents, or in some cases simply umbrellas stuck
in the ground, where the people who serve horrible drinks and food
dispense their wares, always in delicate China very much decorated;
there are charlatans, acupuncturers, Punch-and-Judy shows, musicians,
and story-tellers. The crowd is divided into an infinite number of
currents by all these small shops and theatres, like the waters of a
river filled with islands, so that there is a constant eddy of human
heads black with dust and filth. Rough, hoarse vociferations, in a
quality of voice unfamiliar to our ears, are heard on all sides, to an
accompaniment of grating violins, noisy gongs and bells. The caravans
of enormous Mongolian camels, which all winter encumber the streets in
endless processions, have disappeared in the solitudes of the North,
together with their flat-faced drivers, who wish to escape the torrid
heat; but their place in the central part of the street, reserved
for animals and vehicles, is taken by numerous small horses and tiny
carriages, and the cracking of whips is heard on all sides.
On the ground in front of the houses, spread out upon the mud and
filth, the extravagant rag-fair that began last autumn is still going
on; the remains of so much pillage and burning are left that it seems
as though there was no end to them,--magnificently embroidered clothing
spotted with blood, Buddhas, grotesque figures, jewels, dead men's
wigs, cracked vases, or precious fragments of jade.
Behind all these ridiculous things, behind all this dusty display, the
greater number of the houses, in contrast with the poverty-stricken
appearance of the crowds, seem astonishingly rich in carvings and
decorations,--a mass of openwork and fine gilding from top to bottom.
Indefatigable artists, with the Chinese patience and skill which
confound us, have carved crowds of little figures, monsters, and birds
in the midst of flowers, and trees on which you can count the leaves.
Last summer, while the Boxers were burning so continually, these
astonishing façades, representing an incalculable amount of human
labor, were consumed by the hundreds; they made Pekin a veritable
museum of carving and gold, the like of which men of to-day will never
again have the time to construct.
SATURDAY, May 4.
Public-domain text, read in full here on John Shaqi.
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