I enter the kiosk where the "big devil" stands, the sole guest of this aerial region. Oh, horrible creature that he is! He is of superhuman size, cast in bronze. Like Shiva, god of death, he dances on dead bodies; he has five or six atrocious faces whose multiplied grins are almost intolerable; he wears a collar of skulls, and is gesticulating with forty arms that hold instruments of torture or heads severed from their bodies. Such is the protecting divinity chosen by the Chinese to watch over this city, and placed high above all their pyramidal faience roofs, high above all their pagodas and towers, as we in times of faith would have placed the Christ or the Blessed Virgin. It is a tangible symbol of their profound cruelty, the index of the inexplicable cleft in the brain of these people ordinarily so tractable and gentle, so open to the charm of little children and of flowers, but who are capable all at once of gleefully becoming executioners and torturers of the most horrible description. At my feet Pekin seems like a wood! I had been told of this incomprehensible effect, but my expectations are surpassed. Outside of the parks in the Imperial City, it has not seemed to me that there were many trees around the houses, that is, in the gardens and in the streets. But from here all is submerged in green. Even beyond the walls whose black outlines may be seen in the distance there are more woods,--endless woods. Toward the east alone lies the gray desert which I came through that snowy morning, and toward the north rise the Mongolian mountains, charming, translucent, and purple against the pale blue sky. The great straight arteries of the city, drawn according to a singular plan, with a regularity and an amplitude to be found in none of the European capitals, resemble, from the point where I stand, the avenues in a forest,--avenues bordered by various complicated, delicate little fretwork houses of gray pasteboard or of gilt paper. Many of these arteries are dead; in those which are still living, this fact is indicated from my point of view by the constant moving of little brown animals along the earth, recalling the migration of ants; these caravans, which move slowly and quietly away, are scattered to the four corners of China. * * * * * A feeling that is akin to regret is mingled with my afternoon's work in the solitude of my lofty palace,--regret for what is about to end, for I am now on the eve of departure. And it will be an end without any possible beginning again, for if I should return to Pekin this palace would be closed to me, or, in any case, I should never again find here such charming solitude.