'If there be one magician living whose art is above that of others, it
is that dread man,' answered Nydia; and she felt her talisman while she
spoke.
'He is too wealthy to divine for money?' continued Julia, sneeringly.
'Can I not visit him?'
'It is an evil mansion for the young and the beautiful,' replied Nydia.
'I have heard, too, that he languishes in...'
'An evil mansion!' said Julia, catching only the first sentence. 'Why
so?'
'The orgies of his midnight leisure are impure and polluted--at least,
so says rumor.'
'By Ceres, by Pan, and by Cybele! thou dost but provoke my curiosity,
instead of exciting my fears,' returned the wayward and pampered
Pompeian. 'I will seek and question him of his lore. If to these orgies
love be admitted--why the more likely that he knows its secrets!'
Nydia did not answer.
'I will seek him this very day,' resumed Julia; 'nay, why not this very
hour?'
'At daylight, and in his present state, thou hast assuredly the less to
fear,' answered Nydia, yielding to her own sudden and secret wish to
learn if the dark Egyptian were indeed possessed of those spells to
rivet and attract love, of which the Thessalian had so often heard.
'And who dare insult the rich daughter of Diomed?' said Julia,
haughtily. 'I will go.'
'May I visit thee afterwards to learn the result?' asked Nydia,
anxiously.
'Kiss me for thy interest in Julia's honour,' answered the lady. 'Yes,
assuredly. This eve we sup abroad--come hither at the same hour
to-morrow, and thou shalt know all: I may have to employ thee too; but
enough for the present. Stay, take this bracelet for the new thought
thou hast inspired me with; remember, if thou servest Julia, she is
grateful and she is generous.'
'I cannot take thy present,' said Nydia, putting aside the bracelet;
'but young as I am, I can sympathize unbought with those who love--and
love in vain.'
'Sayest thou so!' returned Julia. 'Thou speakest like a free woman--and
thou shalt yet be free--farewell!'
Chapter VIII
JULIA SEEKS ARBACES. THE RESULT OF THAT INTERVIEW.
ARBACES was seated in a chamber which opened on a kind of balcony or
portico that fronted his garden. His cheek was pale and worn with the
sufferings he had endured, but his iron frame had already recovered from
the severest effects of that accident which had frustrated his fell
designs in the moment of victory. The air that came fragrantly to his
brow revived his languid senses, and the blood circulated more freely
than it had done for days through his shrunken veins.
Public-domain text, read in full here on John Shaqi.
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