On the upper tier (but apart from the male spectators) sat women, their
gay dresses resembling some gaudy flower-bed; it is needless to add that
they were the most talkative part of the assembly; and many were the
looks directed up to them, especially from the benches appropriated to
the young and the unmarried men. On the lower seats round the arena sat
the more high-born and wealthy visitors--the magistrates and those of
senatorial or equestrian dignity; the passages which, by corridors at
the right and left, gave access to these seats, at either end of the
oval arena, were also the entrances for the combatants. Strong palings
at these passages prevented any unwelcome eccentricity in the movements
of the beasts, and confined them to their appointed prey. Around the
parapet which was raised above the arena, and from which the seats
gradually rose, were gladiatorial inscriptions, and paintings wrought in
fresco, typical of the entertainments for which the place was designed.
Throughout the whole building wound invisible pipes, from which, as the
day advanced, cooling and fragrant showers were to be sprinkled over the
spectators. The officers of the amphitheatre were still employed in the
task of fixing the vast awning (or velaria) which covered the whole, and
which luxurious invention the Campanians arrogated to themselves: it was
woven of the whitest Apulian wool, and variegated with broad stripes of
crimson. Owing either to some inexperience on the part of the workmen,
or to some defect in the machinery, the awning, however, was not
arranged that day so happily as usual; indeed, from the immense space of
the circumference, the task was always one of great difficulty and
art--so much so, that it could seldom be adventured in rough or windy
weather. But the present day was so remarkably still that there seemed
to the spectators no excuse for the awkwardness of the artificers; and
when a large gap in the back of the awning was still visible, from the
obstinate refusal of one part of the velaria to ally itself with the
rest, the murmurs of discontent were loud and general.
The aedile Pansa, at whose expense the exhibition was given, looked
particularly annoyed at the defect, and, vowed bitter vengeance on the
head of the chief officer of the show, who, fretting, puffing,
perspiring, busied himself in idle orders and unavailing threats.
The hubbub ceased suddenly--the operators desisted--the crowd were
stilled--the gap was forgotten--for now, with a loud and warlike
flourish of trumpets, the gladiators, marshalled in ceremonious
procession, entered the arena. They swept round the oval space very
slowly and deliberately, in order to give the spectators full leisure to
admire their stern serenity of feature--their brawny limbs and various
arms, as well as to form such wagers as the excitement of the moment
might suggest.
Public-domain text, read in full here on John Shaqi.
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