But if Ione was independent in her choice of life, so was her modest
pride proportionably vigilant and easily alarmed. The falsehood of the
Egyptian was invented by a deep knowledge of her nature. The story of
coarseness, of indelicacy, in Glaucus, stung her to the quick. She felt
it a reproach upon her character and her career, a punishment above all
to her love; she felt, for the first time, how suddenly she had yielded
to that love; she blushed with shame at a weakness, the extent of which
she was startled to perceive: she imagined it was that weakness which
had incurred the contempt of Glaucus; she endured the bitterest curse of
noble natures--humiliation! Yet her love, perhaps, was no less alarmed
than her pride. If one moment she murmured reproaches upon Glaucus--if
one moment she renounced, she almost hated him--at the next she burst
into passionate tears, her heart yielded to its softness, and she said
in the bitterness of anguish, 'He despises me--he does not love me.'
From the hour the Egyptian had left her she had retired to her most
secluded chamber, she had shut out her handmaids, she had denied herself
to the crowds that besieged her door. Glaucus was excluded with the
rest; he wondered, but he guessed not why! He never attributed to his
Ione--his queen--his goddess--that woman-like caprice of which the
love-poets of Italy so unceasingly complain. He imagined her, in the
majesty of her candour, above all the arts that torture. He was
troubled, but his hopes were not dimmed, for he knew already that he
loved and was beloved; what more could he desire as an amulet against
fear?
At deepest night, then, when the streets were hushed, and the high moon
only beheld his devotions, he stole to that temple of his heart--her
home; and wooed her after the beautiful fashion of his country. He
covered her threshold with the richest garlands, in which every flower
was a volume of sweet passion; and he charmed the long summer night with
the sound of the Lydian lute: and verses, which the inspiration of the
moment sufficed to weave.
But the window above opened not; no smile made yet more holy the shining
air of night. All was still and dark. He knew not if his verse was
welcome and his suit was heard.
Yet Ione slept not, nor disdained to hear. Those soft strains ascended
to her chamber; they soothed, they subdued her. While she listened, she
believed nothing against her lover; but when they were stilled at last,
and his step departed, the spell ceased; and, in the bitterness of her
soul, she almost conceived in that delicate flattery a new affront.
Public-domain text, read in full here on John Shaqi.
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