The last frontier : $b The white man's war for civilisation in AfricaPowell, E. Alexander (Edward Alexander)
History
The last frontier : $b The white man's war for civilisation in Africa
Powell, E. Alexander (Edward Alexander)
Africa; Africa -- Colonization
Our little steamer forged ahead at half-speed and the white town kept
coming nearer and nearer, until we could distinguish the caiques in
the harbour, and the queer, narrow houses with their latticed harem
windows which encircled it, and the white mosque with a palm-tree
silhouetted against its slender minaret, and even the crowd of ebony,
tan, and coffee-coloured humanity that fought for posts of vantage at
the water-stairs. It was a picture of sunshine and animation, of vivid
colours and strange peoples, such as one seldom sees except in some
gorgeously staged comic opera, and as I surveyed it sleepily from the
steamer's deck I had a momentary feeling that I was only an onlooker
at a play and that the curtain would go down presently and I should
have to go out into the drab, prosaic, humdrum world again.
But even as this was in my mind a gun boomed out from a crumbling
bastion and five little balls ran up five flagstaffs which I had
already noticed standing all in a row on the uppermost ramparts
and had mistaken, naturally enough, for some new form of Marconi
apparatus. The five little balls broke out into five flags and the
morning breeze caught up their folds and held them straight out as
though for our benefit, so that we could make them out quite plainly.
Four of them were old friends that I had known on many seas—the Union
Jack and the Tricolour and the Saint Andrew's cross of Russia and
the red-white-and-green banner of Italy—but the fifth flag, which
flew somewhat higher than the others, was of unfamiliar design; but
the blood-red square of bunting, traversed by the Greek cross and
bearing in its upper corner the star of Bethlehem, told its own story
and I knew it for the flag of Crete. And I knew that there was deep
significance in the design of that unknown flag and in the position
of the four familiar ones that flew below it, for they signalled to
the world that the Turk had been driven out, never to return; that
Christianity had triumphed over Mohammedanism, and that the cross had,
indeed, replaced the crescent; that the centuries of massacre were now
but memories; that peace, in the guise of foreign soldiery, had, for a
time at least, found an abiding-place in Crete; and, most significant
of all, that the new flag with its single star would be upheld, if
necessary, by the mightiest array of bayonets and battle-ships in
Christendom.
Public-domain text, read in full here on John Shaqi.
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