How many men are like the clenched fist--pugnacious, disputatious, quarrelsome, always spoiling for a fight; a verbal fisticuff, if not a physical one, is their delight. Others are more conciliatory and peace-loving, not forgetting that a soft answer turneth away wrath. Roosevelt was the man of the clenched fist; not one to stir up strife, but a merciless hitter in what he believed a just cause. He always had the fighting edge, yet could be as tender and sympathetic as any one. This latter side of him is clearly shown in his recently published "Letters to His Children." Lincoln was, in contrast, the man with the open palm, tempering justice with kindness, and punishment with leniency. His War Secretary, Stanton, wielded the hard fist. PRAISE AND FLATTERY "More men know how to flatter," said Wendell Phillips, "than how to praise." To flatter is easy, to condemn is easy, but to praise judiciously and discriminatingly is not easy. Extravagant praise defeats itself, as does extravagant blame. A man is rarely overpraised during his own time by his own people. If he is an original, forceful character, he is much more likely to be overblamed than overpraised. He disturbs old ways and institutions. We require an exalted point of view to take in a great character, as we do to take in a great mountain. We are likely to overpraise and overblame our presidents. Lincoln was greatly overblamed in his day, but we have made it up to his memory. President Wilson won the applause of both political parties during his first term, but how overwhelmingly did the tide turn against him before the end of his second term! All his high and heroic service (almost his martyrdom) in the cause of peace, and for the league to prevent war, were forgotten in a mad rush of the populace to the other extreme. But Wilson will assuredly come to his own in time, and take his place among the great presidents. A little of the Scottish moderation is not so bad; it is always safe. A wise man will always prefer unjust blame to fulsome praise. Extremes in the estimation of a sound character are bound sooner or later to correct themselves. Wendell Phillips himself got more than his share of blame during the antislavery days, but the praise came in due time. GENIUS AND TALENT The difference between the two is seen in nothing more clearly than in the fact that so many educated persons can and do write fairly good verse, in fact, write most of the popular newspaper and magazine poetry, while only those who have a genius for poetry write real poems. Could mere talent have written Bryant's lines "To a Waterfowl"? or his "Thanatopsis"? or "June"? Or the small volume of selections of great poetry which Arnold made from the massive works of Wordsworth?