“Yes, he is likely to be that,” said Turner, with his broad smile. He
was a little sleepy after a heavy luncheon, and sipped his coffee with a
feeling of charity toward his fellow-men. “You would find lots of honest
men in the Quai Voltaire, Sep. I will tell you what I will do. Give me
the print, and I will do my best for you. Would ten thousand francs help
you out of your difficulties?”
“I do not remember saying that I was in difficulties,” objected the
Reverend Septimus, with heightened colour.
“Don't you? Memory IS bad, is it not? Would ten thousand francs paint
the rectory, then?”
“It would ease my mind and sweeten my sleep at night to have half that
sum, my friend. With two hundred pounds I could face the world aequo
animo.”
“I will see what I can do. This is the print, is it? I don't know
much about such things myself, but I should put the price down at ten
thousand francs.”
“But the man in the Quai Voltaire?”
“Precisely. I know little about prints, but a lot about the Quai
Voltaire. Who is the lady? I presume it is a portrait?”
“It is a portrait, but I cannot identify the original. To an expert of
that period it should not be impossible, however.” Septimus Marvin was
all awake now, with flushed cheeks and eyes brightened by enthusiasm.
“Do you know why? Because her hair is dressed in a peculiar way--poufs
de sentiment, these curls are called. They were only worn for a brief
period. In those days the writings of Jean Jacques Rousseau had a
certain vogue among the idle classes. The women showed their sentiments
in the dressing of their hair. Very curious--very curious. And here, in
the hair, half-concealed, is an imitation dove's nest.”
“The deuce there is!” ejaculated Turner, pulling at his cigar.
“A fashion which ruled for a still briefer period.”
“I should hope so. Well, roll the thing up, and I will do my best for
you. I'm less likely to be taken in than you are, perhaps. If I sell it,
I will send you a cheque this evening. It is a beautiful face.”
“Yes,” agreed Septimus Marvin, with a sharp sigh. “It is a beautiful
face.”
And he slowly rolled up his most treasured possession, which John Turner
tucked under his arm. On the Pont Royal they parted company.
“By the way,” said John Turner, after they had shaken hands, “you never
told me what sort of a man this young fellow is--this Loo Barebone?”
“The dearest fellow in the world,” answered Marvin, with eyes aglow
behind his spectacles. “To me he has been as a son--an elder brother, as
it were, to little Sep. I was already an elderly man, you know, when Sep
was born. Too old, perhaps. Who knows? Heaven's way is not always marked
very clearly.”
He nodded vaguely and went away a few paces. Then he remembered
something and came back.
“I don't know if I ought to speak of such a thing. But I quite hoped, at
one time, that Miriam might one day recognise his goodness of heart.”
“What?” interrupted Turner. “The mate of a coasting schooner!”
Public-domain text, read in full here on John Shaqi.
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