The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
It was a bright morning, and bright were the spirits of Signor Di
Bello, and springy his step, as he walked to his shop in Paradise Park.
To his view there was not a speck on the matrimonial prospect, and he
exulted in the promise of laughing last at those who were now laughing
at him. It was the day that the proofs were to be presented to Father
Nicodemo, and he chuckled serenely over the plight that the banker must
be in.
He had gone less than a block when Armando rang the bell of Casa Di
Bello, and Marianna, who had been watching for him eagerly at the
window, threw open the door. Breathlessly she fell to telling him
of the plans for the wedding and her consequent sense of impending
disaster; how Carolina knew that Juno had one husband, and was helping
her to get another! She had closed her and Angelica’s lips. What did it
all mean? Something dreadful, she was sure. If Armando would only take
her away. If----
The interview was cut off by the voice of Carolina, who appeared with
her bonnet on and took charge of Armando.
“Not a word,” she admonished him, “about Bertino’s return or his
marriage to that baggage. Mind you do not tell a living soul. My
reasons you will know at the proper time. Now, lead me to the--Last
Lady.”
Together they walked to the Caffè of the Beautiful Sicilian. On the
threshold they came face to face with the ex-banker. He was in a fine
frenzy of indignation. At daybreak that morning he had started from
what was left of the iron villa with a push-cart load of dandelion
leaves. After visiting the rectory and making to Father Nicodemo the
humiliating report that the proofs had vanished, there had come to his
ear news of the marble Queen of Springtide, and the talk, current on
a thousand tongues, of her strong resemblance to the Neapolitan who
sang at La Scala, and whom the priest had refused to marry to Signor
Di Bello. And here was the bust of which he had been robbed. Oh, the
money it had cost him! One hundred and forty dollars for duty. Ah! yes;
it was the cause of his ruin. But for that cursed marble he would be
still a signore and one of the influential bankers of Mulberry. He had
demanded his property, but the foreman would not surrender it until he
had proved his ownership. What an outrage! But it mattered not now, for
they, Armando and Signorina Di Bello, would be his witnesses. “Who
well does climb is helped in time.”
“Excuse me, signore,” remarked Armando; “this bust does not belong to
you.”
“What!” shrieked the banker.
“No; it is mine.”
“Yours?”
“I made it.”
“You made it, eh?” the banker snapped. “Very good. But who paid for it?
Eh, who paid for it? Answer that. Who paid the one hundred and forty
dollars of Dogana--you or I? Give me back the duty money and you may
have the infernal thing! Ugly yellow snout!”
Public-domain text, read in full here on John Shaqi.
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