The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
THOUGH Carolina had not been blind to the meaning of the signals
flashed by Armando and Marianna’s eyes whenever the lovers were
together, Bertino’s words stirred her to the need of taking instant
measures to smother any marplot that might brew from their attachment.
To this end she resolved to keep them apart until the final act of
her private theatricals should be played. Thus it fell out that on
Friday, two days before the time for Signor Di Bello’s second essay
at a wedding, when Armando called to deliver a most weighty message
to Marianna, he was met at the door with Carolina’s avowal that the
girl was indisposed. He might have credited the dreadful news but for
a face that he saw at the window as he walked away, and a pair of
hands and lips that were telegraphing with much energy. “Wait, and I
shall be out,” was the only part of Marianna’s excited display that he
understood. But it was enough to insure his waiting a week, had that
been necessary. As it was, she did not come until darkness had called
lights to the _caffè_ windows and the banks and grocery shops had put
up their shutters.
“It is finished now,” she said, hatless and breathing hard. “I can
never go back to Casa Di Bello.”
“What matter?” he asked, taking her hand, and for the first time in
many a day showing a joy and contempt for circumstance that befitted
his years. “Come along. I have beautiful news. Let us go to the gardens
of Paradise.”
It was the first music night of the season, and the Park had become a
vast _potbouilli_ of Italy’s children, with a salting from the Baxter
Street Ghetto and a peppering of “Chimmies” and “Mamies” from the old
Fourth Ward. Armando and Marianna made their way through the seething
mass about the band, deaf to the rag-time melody that filled the sultry
air and without eyes for the gorgeous red coats of the musicians. He
was telling her how from the blackness of his despair the light of
knowledge had suddenly broken, and how in the bitterness of his exile
he had found the sweet of content. Far from the band stand, they
crowded on to a bench beside two women with yellow babies at their
breasts, and Armando continued:
“It was last night, and I was here alone, with only the stars for
companions. All Mulberry was asleep. First I thought only of myself,
and my heart was heavy. Then the points of gold in the sky seemed to
whisper--to whisper of you, my precious. After that I was happy. Do you
know why? Ah, it was because I had made up my mind.”
“Yes,” she repeated eagerly; “you made up your mind to----”
“Go home.”
“And I?”
“You go with me. There; do you not see now why I am happy?”
“Madonna-Maria be glorified!” she cried, and the women by their side
exchanged glances and grunts. “When?”
“By the first ship for Genoa.”
“When is that?”
“Some day next week.”
“Joy!”
“Ah! is it not fine? To go back to Italy!”
“_Si_; fine.” She paused a moment pensively, then asked, “Have you
bought the passage tickets?”
Public-domain text, read in full here on John Shaqi.
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