The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
Carolina gave back only a silent nod and a closer pressure of the lips,
and he made off to the Santa Lucia, crowing to himself over the timely
bite of his pleasantry. Hour after hour she had been at that window
watching for Bertino, ready to spring to the door and drive him away
should he appear too soon. She was determined that the play should not
be spoiled by the untimely entrance of her star actor. His cue, as
agreed upon, was the exit of Signor Di Bello, but the fear had haunted
her that his itching _vendetta_ might make him forget the book. That
danger was past now, and before his uncle had gone a block, Bertino
was at the door. She bundled him upstairs to her sanctum, and, turning
the key, left him looking out blankly on the graveyard. “In a little
while I shall call you,” she said, after explaining gravely that she
locked him in that his uncle might be kept out. Then she descended to
the street door and waved her hand, a signal that brought a push-cart
out of a near-by alley, with Armando and the banker at its shafts. Of
course, their load was the Last Lady, but no eye could see her face,
for Bridget had given her best and only bed coverlet to veil it. No
easy task to lug the weighty dame upstairs, but they managed it without
mischance, while Carolina stood by imploring care, and all with an ado
of deepest secrecy. At length the bust was set up in the back room of
the second floor. In this room the bride and groom were to wait before
going down to the parlour for the ceremony. A dressing case near the
window answered for a pedestal. In the bright light that fell upon it
the snowy features of Juno showed bold to the eye, while the mirror
rendered back in softer tone her sturdy neck and shoulders. With a
spotless sheet Carolina covered the bust, and with the others left the
room and locked the door.
Repeated jangling of the bell and a low drone in the parlour told of
arriving guests. Marianna had been cast for the part of door-opener and
welcomer to the first families. Armando, in the best attire he could
muster, had only a meditative rôle. Thus far he had done naught but sit
in the parlour and exchange confident glances with Marianna whenever
she ushered in a distinguished Calabriano, Siciliano, or Napolitano.
A cab bearing Signor Di Bello and Juno drew up betimes, and word
was passed to Carolina. Instantly she unlocked the door that shut
in Bertino, and bade him be ready for her summons. Then she called
Marianna and Armando to the room where the bust was, leaving Angelica
to let in the bridal pair. Up the staircase they rustled, Juno first,
her skirts held free of the yellow boots, and Signor Di Bello smiling
after her with a quivering bunch of muslin roses.
“They are here,” said the guests, craning their necks and whispering.
“No fiasco this time.”
“This way, signorina,” piped Carolina, with a spidery smile, stepping
aside and waving her fly into the web.
Public-domain text, read in full here on John Shaqi.
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