The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
“Signorina,” he said, his voice a distinct note of calm above the
storm below, “if you sincerely desire to save your brother from the
contempt of his neighbours it may be done better by the union of these
young hearts than by tearing them asunder. Let us consider. You speak
of the merry jest.” Here the good man’s eyes twinkled his zest in the
wholesome trick to be played. “Would it not be a greater joke if the
people found that they had betrothed not alone the wrong bride, but the
wrong groom as well; in fact, had come to the marriage of one couple
only to find another walk into the parlour with the priest?”
For a moment no one caught his meaning. Then he went on, with equal
countenance: “What I mean is that you silence the tongue of scandal by
having a wedding at once, with this pair of turtle-doves as the bride
and groom.”
“Bravo!” Signor Di Bello whooped, grasping the priest’s hand. “Indeed
a famous joke. I will tell them that it was all fun about my getting
married; that it was to be my foster niece and her sweetheart all the
time. Ah, the side-splitting joke!”
“Come, then,” said the priest, without waiting for Carolina’s approval;
and the joyous Armando and Marianna, with Signor Di Bello last in the
procession, followed him to the parlour.
Carolina did not go downstairs, but turned into her sanctum, and
with flooding eyes looked out on San Patrizio’s graveyard. She heard
the muffled outburst of wonder that greeted the bridal twain in the
parlour, and alert was her ear to the growing quiet that became
silence when the priest began the nuptial rites. Soon the merriment
of the feast rang beneath her feet. Plainly the lying joke was a great
success. Ah! what a fine _vendetta_ it would be to go down there and
tell them all the truth--even now while her brother was cracking
walnuts on his head and making the table roar! But no; of strife she
was weary. She longed for peace--for the peace that lay beyond that
gray forest of mortuary shafts; the peace beyond that rectory door,
to which the latch string beckoned and a soft voice, clear above the
revelry, seemed calling: “_Perpetua, perpetua, riposo, pace._”
* * * * *
When Armando, with one hundred dollars in his pocket--the grateful
tribute of Signor Di Bello--went to Banca Tomato to buy two
second-class tickets for Genoa, the banker led him behind the nankeen
sail--sewed together again by Bridget--and whispered that Bertino would
be on the same ship in the steerage.
“Did she pay?” asked the sculptor.
“No, not all: a cut on the cheek; a clumsy thrust, dealt in a dark
alley, where he waited for her all night. But mark you, the fool wanted
to stay, to go back--to make her pay more--to pay all. He is not
satisfied; and in truth I do not blame him. She ought to pay all.”
“_Si_--all.”
Public-domain text, read in full here on John Shaqi.
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