The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
Crushing as it was, this disaster might have been tided over had not
a long season of domestic reverses added to the difficulty. For three
years there had been no christening party in the tiny parlour back of
the nankeen sail, and during that period the bank’s advertisement in the
_Progresso_ had appeared without the famous foot line, “Also a baby
will be taken to nurse.” The first families of Mulberry had always bid
high for Bridget’s offices, and the advent of a new Tomato had never
failed to mark an era of prosperity in the bank’s history. Bridget’s
vogue was greatest among the Neapolitan mothers, who do not hold with
the American dairy wife that it is seldom the biggest kine that yield
the richest quarts. But psychological reasons were not lacking for the
favour in which the rugged Irish woman was held. In the minds of her
patrons was rooted the conviction that for a child of Italy, destined
to fight out the battle of life in New York, there could be no better
start than the “inflooence” of a nurse of Bridget’s race.
The brave figure she presented at these stages! How all Mulberry stood
dazzled as she passed, splendid in the time-honoured costume of the
Neapolitan _balia_! Tradition demanded a deep-plaited vesture of blue
silk or crimson satin, which could be hired of any midwife. Bridget
always rejoiced when her employer said crimson satin, for that was her
favourite as well as Signor Tomato’s. But there were other points of
the outfit that gave her little delight. These were the smoothing and
shining with pomatum of her crow-black hair, and the sweetening of
it with cologne; a gilded comb in her topknot, and pendent therefrom
long broad ribbons to match her gown; rosettes in her ears, silver or
pearly beads wound in double strings circling her ample neck; rings
galore on her chubby fingers. And the skirt! Short enough to show her
insteps, white-stockinged in low-cut shoes. Seen from a distance,
moving not without pride across Paradise Park, she resembled a huge
macaw or other bird of tropical plumage.
[Illustration: Bridget in _balia_ array.]
“Troth, it’s the divvil’s own ghinny I am now, and no misthake,” she
had told herself more than once when a new engagement found her in
_balia_ array. “Phat they’d be sayin’ at home to the loikes iv me I
don’ knaw, and may I niver hear. Musha, mother darlint, did y’ iver
drame they’d make a daygoe iv yer colleen Biddy? Niver moind, it’s an
honest pinny I’m layin’ up agin the rainy day whin there’s not a cint
comin’ to the bank.”
Public-domain text, read in full here on John Shaqi.
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