The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
But the rainy days had been too many, and the fruits of those golden
times were always eaten up. Since the loss of the Great Imperial
Company’s ship the tide of prejudice had submerged Signor Tomato.
People would not go to him even to exchange a ten-lire note for
American coin. Public sentiment vented itself also against the Jack
Tar, that steadfast emblem of the bank’s steamship connection which
had stood at the door day and night for half a decade. The hand of
juvenile Mulberry had ever been against the old sailor, but now he was
an infuriating mark, an object of fiercest hatred to the relatives
and friends of the passengers who lost their tin pans and mattresses.
Passing by, they would draw their knives and slash at his neck, or
thrust the point at his heart. Every night brought fresh attacks upon
his weather-beaten person with axes and clubs until the banker found
his silent partner’s occiput lying in the gutter one morning. This was
the last fragment of the head that he had been losing for weeks. Signor
Tomato took the incident as an omen of blackest import. An hour later
he said to Bridget:
“Guess ees-a come de end-a now. Doan’ know what ees-a goin’ do
everybodee. All-a black, so black. What-a good I am? Tell-a me dat.
Tink I’m better goin’ put myself off de Bridge. I’m do it, you bet, if
I’m not-a love you and lil Pat and Mike and Biddy.”
“That’ll do ye, now,” said Bridget, putting her arm around the little
man, who pulled at a black pipe. “That’ll do ye, Dominick Tomah-toe.
Off the Bridge is ut? Not while yer own wife’s here to kape hould iv
yer coat-tails. Phat’s that sayin’ ye have about the clouds with the
silver insides? Sure, I know it in Eetalyun when I hear it, but I can’t
say it in English. Phat is it, annyhow?”
He shook his head gravely. “To-day I not-a tink of _proverbi_. My poor
wife, you not-a know how moocha granda troub’ have your Domenico.”
“Arrah, do I not? Mebbe it’s mesilf that knows betther than ye. But
don’t be talkin’ iv the Bridge, Dominick dear, whin ye have so many iv
thim that love ye. Look at us now, will ye? Here’s mesilf, and”--she
went to the door and called--“Pat, Mike, Biddy! Here to your fatther
this minute, and show him the frinds he has.”
Three tousled black heads and bright faces came trooping into the bank.
Signor and Signora Tomato caught them up and covered them with caresses.
“What’s the matter, mah?” asked Mike, the oldest, looking up into his
mother’s tearful eyes.
“Nothin’ at all, Mickey darlint; nothin’ but the warrum weather. Sure
yer fatther’s always downhareted wid the hate, and it’s mesilf that do
be shweatin’ around the eyes. Away wid yez now; back to yer play, me
jewels, but kape forninst the shop.”
“I can’t play any good,” said Mike glumly.
“And why not?”
“’Cause Paddy’s got the roller-skate.”
Bridget swallowed the lump in her throat, and could not help thinking
of the affluent past when the babies “was comin’,” and there was a
whole pair of roller-skates in the family.
Public-domain text, read in full here on John Shaqi.
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