The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
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The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
“Never moind, laddie,” she said, “be a good bye, and ye’ll have the
handle iv the feather duster to play cat with.”
Mike danced for glee, for here was a joy hitherto tasted only in
dreams. Ever since its detachment from the worn-out feathers the handle
of the duster had been used as a rod of correction, often raised in
warning but rarely brought down upon a naughty Tomato.
“Me want somethin’,” said little Biddy, an eloquent plea in her big
black-walnut eyes, while Mike made off with the precious stick.
“Iv coorse ye do, me ruby, and somethin’ foine ye’ll have, be the Lord
Alexander! Here, take ye this, and go beyandt to Signory Foli and buy
the best bit iv wathermelyun she has on the boord. Moind ye get it
ripe, and tell the signory if she gives ye annything else I’ll be down
there and pull the false wig off her. Away wid ye now, and come back
with the rind.”
She had reached in the window and taken from a very small collection
of coins one cent. Her husband witnessed the act of rash extravagance
without even a look of reproach, which argued that the crisis in the
bank’s affairs had driven him to an unwonted mood. Presently Biddy
bounded into the room bearing a thin watermelon rind on which scarcely
a trace of the red remained. Bridget took it, and while her offspring
stood as though used to the treatment, rubbed it over her face with
loving care, thus affirming the Neapolitan tenet that the watermelon
is thrice blessed among fruits, for with it one eats, drinks, and
washes the face. The maternal apron applied as a towel, Biddy broke
away and made for Paradise Park, where she was soon romping with other
tangle-haired youngsters around the band stand.
After a brief silence, during which Pat had shot by the door on the
roller skate, Signor Tomato remarked, jerking his thumb toward the
headless Jack Tar:
“To-day I am feel lik-a him--no head, no northeen. For God sague, me,
I’m go crezzy.”
“Bad luck to the hoodoo, annyhow,” said Bridget, shaking her red fist
at the mutilated relic of a once noble though wooden manhood. “It’s the
Jonah iv a sailor y’are iver since we bought ye from the Dootchman,
sorra the day. Phat am I at all at all, that I didn’t take the axe t’ye
long ago? Be the powers, it’s not too late yit, and I’ll do it this
minute. Betther the day betther the deed, for there’s not a shtick in
the house agin the fire for the dinner soup.”
In rough-and-tumble wrestling fashion she seized the sailor, laid him
low, and dragged him over the curb to the roadway. Then she bustled
into the bank, and quickly reappeared armed with a rusty axe of long
handle. And while Signor Tomato looked on, his face a picture of rising
doubt and fluttering hope, and passing women set down loaded baskets
from their heads to gaze in voluble wonder, Bridget brought the Jack
Tar’s long-suffering career to an ignoble end.
“Mike, Pat, Biddy!” she cried, resting on the axe when the task was
finished. “Come you here and carry in the wood.”
Public-domain text, read in full here on John Shaqi.
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