The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
“Ah, my dear wife, moosta tell you de trut honesta. I’m been mague lill
fun. Deesa villa she no ees-a joosta der same lika de housa. Ees-a not
mague of wood; but you wait-a, some time I’m show you how ees-a nice
and cool-a de iron when ees-a cover wit leaves. Pietro Sardoni he been
liv-a here, and he lik-a var mooch, I’m blief.”
“Phat d’yer mane at all at all? Is it not a house ye’re takin’ us to,
thin? What is it, annyway? Howly wafer! Pipes!”
They had drawn near enough for her to distinguish two black iron pipes
of the largest size used for underground conduits. Though they seemed
much smaller from that distance, each was twelve feet long with an
interior diameter of five feet. They lay side by side, as they had been
left by the builders of the aqueduct.
“Moosha, moosha,” she went on, but not relaxing her effort at the
shafts, “it’s far down in the worruld y’are now, Bridget O’Kelly, and
yer father’s own third cousin coachman to the Lord Mayor iv Dublin!”
“My dear wife, moosta forgive your husband; ees-a got northeen better.
De proverbio he say: One who is contented has enough.”
The strip of green that crowned the margin of the railroad cut was
spangled with bright yellow, and, his eye lighting on it, Signor Tomato
said, by way of a comforting crumb to Bridget:
“Look! Guess-a we goin’ mague plenta mon here pickin’ dandelion salad.”
One of the youngsters had heard the talk about the pipes, and, telling
the others, all three ran ahead to investigate. After a peep into one
of the huge tubes they came trooping back in a state of fright.
“Somebody in our pipe, pah!” said Mike.
“A big man; guess he’s dead,” from Pat.
It had never struck Domenico’s fancy that the water pipes whereon he
had counted for a final refuge might become a château in Spain because
of some rival claimant to their shelter.
“_Gran Dio!_ More trouble!” he whined, and bundled through the grass to
see for himself, while Bridget trudged on with the cart, the children
close at her heels. Stooping, he peered into one of the pipes, rose
again quickly, threw up his arms, brandished his open hands, bent
again, and put his head into the mouth of the iron cavern. Then he
sprang up and shrieked:
“It is he! By the blood of St. Januarius, _his_ blood shall pay!”
From the deep pocket of his threadbare coat he drew a heavy-bladed
clasp knife, jerked it open, and the next instant would have tried its
steel on the awakened figure in the pipe but for Bridget, who caught
both his arms from behind and pinioned them in able style.
“Is it bloody murther yer’d be addin’ to all the rest, Dominick
Tomah-toe,” said she, tightening her grip, while the little man
struggled and profaned the canonized host. “Phat the divil’s the manin’
iv it, annyhow?”
“Let-a go! You hear? Let-a go, I’m tell-a you! Look in de pipa and you
see ees-a what for. Guess-a you goin’ want kill too.”
Public-domain text, read in full here on John Shaqi.
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