The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
Marianna felt that she would like to throw herself at this pig’s feet
and kiss them in the joy of her deliverance, while Carolina gave play
to her rage in a storm of anathema against her brother and the singer.
In the thick of her onset--all rituals of conduct torn to shreds--the
door bell jingled tragically. With bated breath, Angelica turned the
knob, and Carolina struck a pose of disdain in the hallway. As the door
opened a chorus of greetings and happy auguries came from a group of
men and women at the threshold, all in their sprucest Sunday array.
They were the first lot of invited guests, and would have swarmed in,
but Carolina ordered them back.
“We have come to the wedding feast,” they protested. “Signor Di Bello
has bidden us.”
“Begone, you ragabash and bobtail!” said Carolina, and she slammed the
door in their faces.
CHAPTER XVIII
AT THE ALTAR OF SAN PATRIZIO
NEVER did wedding barouche so gorgeous roll over the asphalt of
Mulberry as the one in which Signor Di Bello and his bride rode to
church; and never had the people beheld such an illustrious couple
in nuptial parade. With an overdone mimicry of the princesses and
duchesses she had watched so often driving in the Chiaja of Naples,
Juno sat erect and grand of mien, deigning scarcely a glance to right
or left. Now and then she did smile with a feigned grace, or bow with
mock condescension in response to some wild salvo of “bravoes” shot as
they passed by a _caffè_ from the throats of Signor Di Bello’s boon
comrades. Nor did these salutes meet with a less dignified return from
the bridegroom. His old friends wondered, and avowed that the bubbling
merchant was not himself to-day. And, in truth, for the first time
in his life the signore had put on an air of loftiness and gravity.
No one could say that the radiant creature in purple by his side
surpassed him in grandeur. Perhaps it was the example of Juno, perhaps
the witchery of his looking-glass. An hour before, arrayed in evening
clothes spick and span from the tailor, who had worked overtime, Signor
Di Bello had viewed his mirrored self with much approval and delight.
It was his first dress suit, and the round brow, the bushy hair, and
the King Humbert mustache showed above the broad field of shirt front
in bolder relief and a light that was new to their owner. His facial
likeness to the monarch of Italy had ever been a spring of secret
pride, but not until to-day, when he beheld himself in royal raiment,
had the similitude played him any mental pranks. Fondly he gazed in
the mirror’s verge, and said to himself: “Ah! that is the head of the
king, and the head is on my shoulders.” And it was because the king had
got into that head so badly that Signor Di Bello rode to his wedding
with the stateliness of a royal chief.
Public-domain text, read in full here on John Shaqi.
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