The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
Carolina answered, pointing to the untouched wedding feast: “We have
many sweets that will not keep. They will be of use to Father Nicodemo
for his poor.”
She could not resist sounding a stealthy note of triumph. A few hours
before he would have answered, “The sweets will keep a week, and then I
shall need them for my wedding feast.” But since the bout with Tomato
his hope had waned steadily, just as the conviction had grown stronger
that the banker’s case against Juno would be proved. Morose of spirit
he sought his bed, sighing as he reflected how ruthlessly the events of
the day had shattered his long-fondled dreams.
CHAPTER XX
A HOUSE DIVIDED
A TRAIN for Jamaica next morning carried four anxious souls from
Mulberry. In one car were Signori Di Bello and Tomato, in another
Carolina and Armando. The banker had agreed to meet Armando at the
country station; but the sculptor had given no hint that he would have
Carolina in company, nor did either of the latter dream of finding
Signor Di Bello with the banker. They all met on the station platform.
At sight of Carolina her brother divined her state of mind. He knew
that her presence meant the first advance of a revived era of meddling
in his love affairs, and with the perversity of the ripe-aged swain he
resented it as stoutly as though his own judgment about woman had not
just been caught soundly napping.
“You have come to see the husband of your brother’s bride, I suppose,”
he said. “You are glad to be near to see me made a fool of, _neh_?”
“No,” she answered; “I seek only the proofs that Casa Di Bello is not
to be disgraced.”
They climbed into a creaky, swaying stage that the banker hired to
convey them to the iron villa.
“It was you that said she was the Presidentessa,” broke out the
signore, eying Armando on the opposite seat. “What the porcupine did
you mean?”
As the decrepit stage squeaked through the village, plunging and
tossing on its feeble springs like a boat in a choppy sea, Armando gave
the history of the Last Lady--the jugglery of the photographs, of which
the banker had told him; his months of fruitless toil on the second
Juno following a year lost on the first.
“Ah, signore,” he added, yielding to a blank sense of desolation,
“surely the evil eye has fallen upon me and I am doomed to fiasco.”
“Body of a rhinoceros!” was Signor Di Bello’s first comment. Then he
added, after an apparent mental struggle with the stubborn truth: “Yes;
she has made grand trouble for you, but you shall not suffer. I will
buy your Juno and the Peacock and--the other Juno, if only to smash it
in a thousand pieces!”
“Will you pay me back the Dogana, signore?” put in the banker, striking
the hot iron. “I too have been ruined by the Last Lady.”
“Excuse me, signore; you are old enough to know better.”
“And so are you,” chirped Tomato, whereat Signor Di Bello held his
tongue.
Public-domain text, read in full here on John Shaqi.
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