The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
Over dusty roads of the burning plains, through woodland passes, in
village streets, and on the crazy pavements of Long Island City he
kept in her wake. With a feeling of relief he saw the truck drive into
a gateway, and while he waited to make sure that she was to lodge
there for the night Andrea came out with a push-cart, and on it the
well-known pine box. Again he took up the pursuit, which led this
time to the ferry and across to New York. For a moment he shrank from
trailing on through the city, which his fancy filled with man-hunters
peering into every face to find the murderer of Signor Di Bello. But an
impulse of fidelity to Armando conquered his fears, and, turning up his
coat collar and drawing his soft hat over his eyes, he went on, dogging
the push-cart in all its fits and starts through the lighted highways
that he was sure teemed with detectives.
At Bleecker Street and the Bowery Andrea turned, and with a sinking of
courage Bertino guessed that the Last Lady was bound for the very heart
of Mulberry. Here every man and woman would know him for a murderer,
and not a doorway or alley that would not have a law-hound in its
shadow! But it was too late to falter. If the bust were lost now he
could never again look Armando in the face. Bah! he knew a trick that
would fool the police. He tied his gingham handkerchief over his mouth
and struck forth, wholly confident that his disguise was impenetrable.
Another turn into Elizabeth Street, where the tribes of Sicily
forgather, and Bertino found himself amid the boisterous throng in
the flare of light and colour that of ages belong to the Feast of
Springtide. The New World memory of the Sicilians’ agricultural
festival was in the last of its three days and nights of fantastic
gaiety. All the colony was out of doors. On both sides of the way the
house fronts were lost in a jungle of American and Italian flags. In
drooping garlands that reached from window to window across the street,
dim-burning lights in red and purple glasses gave the barbaric scene a
strange, sombre note. Men as dark as Parsees, and their women decked
with paper flowers, and little girls in white frocks crowned with real
and make-believe blossoms, stood about, each bearing a lighted candle,
waiting eagerly to march in the procession that would go singing
through Mulberry. Here and there, apart from the gabbling collection,
was the face of a silent, pensive one who looked on at the doings of
these wage slaves of the sweat-shop, building scaffold, river tunnel.
Did he see a thorn on the rose of their festivity--a plaintive satire
of Fate in this clinging to the poetic shadows of their native vineyard
and field after the substance had been despised and forsaken?
Public-domain text, read in full here on John Shaqi.
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