and unsurpassed as a _corps de ballet_." We touched glasses, shook hands, and I went my way leaving Comus with his rout, guileless, I hope, as Milton's innocent "Lady," but such scales never fell from her starry eyes as fell from mine. I knew well about _Fantasca_. During my last weeks in Berlin it had been much talked about, a splendid theatrical spectacle put on with consummate art, and lavish expenditure. I had not seen it. Heredity from eight Puritan generations reinforced by impecuniosity had kept me from that. But I had heard of the wonderful visions of beauty and grace. My handsome comrade of the Bavarian Alps had been at the centre of it all, the god Apollo, or whatever glittering divinity or genius it was that swayed the enchantments and led in the rhythmic circlings. Good cause indeed I had had to admire his physical beauty. He had been picked out for that no doubt among thousands, then painfully trained for years until in figure and frame he was a model. The gay pleasure garden in which we had parted lay close to a gloomy monastic structure, centuries old, that from a height dominated the little town. The garden and the structure were symbols of what was most salient in that country--the ancient church braced against progress, with its power broken in no way, and on the other hand of a life interpenetrated with things graceful and refined, with art, music, and poetry, but seamed, too, with frivolity and what makes for the pleasures of sense. My two friends also were in their way types,--the cowled Franciscan, aloof in a mediaeval seclusion though he breathed nineteenth-century air, and the dancer whom I encountered in the vale, above which the Watzmann upholds forever its solemn mitre. But they were good fellows both, my comrade in and my comrade out. The monk's heart was not too shrivelled to flow with human kindness, and the dancer had not unlearned in the glare of the foot-lights the graces of a gentleman. I profess to be a man of peace. Through training, environment, and calling I ought to be so, and yet there is a fibre in any make-up which has always throbbed strangely to the drum. Is it perhaps a streak of heredity? In almost every noteworthy war since the foundation of the country, men of my line have borne a part. I count ancestors who stood among the minute-men at Concord bridge. Another was in the redoubt at Bunker Hill. In the earlier time two great-great-grandfathers went out against Montcalm and were good soldiers in the Old French War. Still earlier a progenitor, whose name I bear, faced the Indian peril in King Philip's War, and was among the slain in the gloomy Sudbury fight Perhaps it is a trace from these ancient forbears still lingering in my blood that will respond when the trumpets blow, however I strive to repress it, and it has given me qualms.