End of the world -- Fiction; Epidemics -- Fiction; Science fiction; Twenty-first century -- Fiction
I no sooner perceived an abatement of the flames than, hurried on by an
irresistible impulse, I endeavoured to penetrate the town. I could only
do this on foot, as the mass of ruin was impracticable for a horse. I
had never entered the city before, and its ways were unknown to me. The
streets were blocked up, the ruins smoking; I climbed up one heap, only
to view others in succession; and nothing told me where the centre of
the town might be, or towards what point Raymond might have directed
his course. The rain ceased; the clouds sunk behind the horizon; it was
now evening, and the sun descended swiftly the western sky. I scrambled
on, until I came to a street, whose wooden houses, half-burnt, had been
cooled by the rain, and were fortunately uninjured by the gunpowder. Up
this I hurried—until now I had not seen a vestige of man. Yet none of
the defaced human forms which I distinguished, could be Raymond; so I
turned my eyes away, while my heart sickened within me. I came to an
open space—a mountain of ruin in the midst, announced that some large
mosque had occupied the space—and here, scattered about, I saw various
articles of luxury and wealth, singed, destroyed—but shewing what they
had been in their ruin—jewels, strings of pearls, embroidered robes,
rich furs, glittering tapestries, and oriental ornaments, seemed to
have been collected here in a pile destined for destruction; but the
rain had stopped the havoc midway.
Hours passed, while in this scene of ruin I sought for Raymond.
Insurmountable heaps sometimes opposed themselves; the still burning
fires scorched me. The sun set; the atmosphere grew dim—and the evening
star no longer shone companionless. The glare of flames attested the
progress of destruction, while, during mingled light and obscurity, the
piles around me took gigantic proportions and weird shapes. For a
moment I could yield to the creative power of the imagination, and for
a moment was soothed by the sublime fictions it presented to me. The
beatings of my human heart drew me back to blank reality. Where, in
this wilderness of death, art thou, O Raymond—ornament of England,
deliverer of Greece, “hero of unwritten story,” where in this burning
chaos are thy dear relics strewed? I called aloud for him—through the
darkness of night, over the scorching ruins of fallen Constantinople,
his name was heard; no voice replied—echo even was mute.
Public-domain text, read in full here on John Shaqi.
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