End of the world -- Fiction; Epidemics -- Fiction; Science fiction; Twenty-first century -- Fiction
The English, whether travellers or residents, came pouring in one great
revulsive stream, back on their own country; and with them crowds of
Italians and Spaniards. Our little island was filled even to bursting.
At first an unusual quantity of specie made its appearance with the
emigrants; but these people had no means of receiving back into their
hands what they spent among us. With the advance of summer, and the
increase of the distemper, rents were unpaid, and their remittances
failed them. It was impossible to see these crowds of wretched,
perishing creatures, late nurslings of luxury, and not stretch out a
hand to save them. As at the conclusion of the eighteenth century, the
English unlocked their hospitable store, for the relief of those driven
from their homes by political revolution; so now they were not backward
in affording aid to the victims of a more wide-spreading calamity. We
had many foreign friends whom we eagerly sought out, and relieved from
dreadful penury. Our Castle became an asylum for the unhappy. A little
population occupied its halls. The revenue of its possessor, which had
always found a mode of expenditure congenial to his generous nature,
was now attended to more parsimoniously, that it might embrace a wider
portion of utility. It was not however money, except partially, but the
necessaries of life, that became scarce. It was difficult to find an
immediate remedy. The usual one of imports was entirely cut off. In
this emergency, to feed the very people to whom we had given refuge, we
were obliged to yield to the plough and the mattock our
pleasure-grounds and parks. Live stock diminished sensibly in the
country, from the effects of the great demand in the market. Even the
poor deer, our antlered proteges, were obliged to fall for the sake of
worthier pensioners. The labour necessary to bring the lands to this
sort of culture, employed and fed the offcasts of the diminished
manufactories.
Public-domain text, read in full here on John Shaqi.
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