End of the world -- Fiction; Epidemics -- Fiction; Science fiction; Twenty-first century -- Fiction
Raymond questioned vainly; the mysterious Greek would say no more.
Would an architect be permitted to see the artist? This also was
refused. Raymond repeated his instructions, and the visitor retired.
Our friend resolved however not to be foiled in his wish. He suspected,
that unaccustomed poverty was the cause of the mystery, and that the
artist was unwilling to be seen in the garb and abode of want. Raymond
was only the more excited by this consideration to discover him;
impelled by the interest he took in obscure talent, he therefore
ordered a person skilled in such matters, to follow the Greek the next
time he came, and observe the house in which he should enter. His
emissary obeyed, and brought the desired intelligence. He had traced
the man to one of the most penurious streets in the metropolis. Raymond
did not wonder, that, thus situated, the artist had shrunk from notice,
but he did not for this alter his resolve.
On the same evening, he went alone to the house named to him. Poverty,
dirt, and squalid misery characterized its appearance. Alas! thought
Raymond, I have much to do before England becomes a Paradise. He
knocked; the door was opened by a string from above—the broken,
wretched staircase was immediately before him, but no person appeared;
he knocked again, vainly—and then, impatient of further delay, he
ascended the dark, creaking stairs. His main wish, more particularly
now that he witnessed the abject dwelling of the artist, was to relieve
one, possessed of talent, but depressed by want. He pictured to himself
a youth, whose eyes sparkled with genius, whose person was attenuated
by famine. He half feared to displease him; but he trusted that his
generous kindness would be administered so delicately, as not to excite
repulse. What human heart is shut to kindness? and though poverty, in
its excess, might render the sufferer unapt to submit to the supposed
degradation of a benefit, the zeal of the benefactor must at last relax
him into thankfulness. These thoughts encouraged Raymond, as he stood
at the door of the highest room of the house. After trying vainly to
enter the other apartments, he perceived just within the threshold of
this one, a pair of small Turkish slippers; the door was ajar, but all
was silent within. It was probable that the inmate was absent, but
secure that he had found the right person, our adventurous Protector
was tempted to enter, to leave a purse on the table, and silently
depart. In pursuance of this idea, he pushed open the door gently—but
the room was inhabited.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account